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AT Move Decoupe
by André Toet DesignAbout AT Move Decoupe Font Family
Découpé Based on a French children’s play from 1906. In a car boot sale André Toet found a funny looking box containing a lot of cut out cardboard figures, in fact it looked a bit like a geometric puzzle! He played around a bit and succeeded to create a workable typeface with it ! The interesting thing about this particular font is, that in fact it’s organized chaos. The 26 letters of the alphabet are a mix between caps and lowercases, so within one word caps and lowercases will be used next to each other. It’s a very useful font for different projects. Concept/Art Direction/Design: André Toet © 2017
Designers: André Toet, Jasper Nijssen
Publisher: André Toet Design
Foundry: André Toet Design
Design Owner: André Toet Design
MyFonts debut: Mar 6, 2012
About André Toet Design
André Toet believes in typefaces that can be used not only in print but in lots of different ways, like lighting, jewelry design, textile or even furniture. His typefaces: Alphatool, Altera, Artù & Artù Super Heavy Bold, Billiard, Bloggy, Bombola, Bulky, Découpé, Frutta, Herengracht, Holborn, MMM, Mezzo, Nath!, PiPi, Powerplay, Quipo, RiFF-RaFF (Regular & Bold), Skewy, Specx, Specx (Stencil), Strano, Straw, Tremolo, Wolfszn and Wyggle give designers a lot of possibilities to use them in a creative way. André Toet: Born in The Hague, The Netherlands. Educated at the KABK (Gerrit Noordzij), The Hague 1970-1974 and Central School of Art & Design (Nicolete Gray), London 1974-1975. He worked as a designer at Total Design (Jurriaan Schrofer, Wim Crouwel), Amsterdam 1976-1980. Started (SO)Design 1983-2015 with Marianne Vos. He now lives and works in Amsterdam and Rosennano (Tuscany, Italy). André is a designer, judge and educator, he creates stylistic designs in different fields. Originally trained in graphic design and winner of international awards (D&AD, OneShowSilver, RedDotAwards, NYAD, GoldenBee’s, TokyoTypeDirectorsClub) for his designs, he also became a skilled typedesigner.
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