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Girder Poster

Girder Poster

by GroupType
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Girder Poster Font Family was designed by James Eisenberg and published by GroupType. Girder Poster contains 1 styles.

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About Girder Poster Font Family


Girder Poster, also named Spurred Gothic, was inspired by showcard lettering samples featured in the book, Commercial Art Of Show Card Lettering, published in 1945. Although similar to Cooper Bold, Girder Poster's serifs are spurred and the design's inception came out of theatrical poster studios of the mid 1900's in New York.

Designers: James Eisenberg

Publisher: GroupType

Foundry: GroupType

Design Owner: GroupType

MyFonts debut: Oct 12, 2006

Girder Poster

About GroupType

GroupType is a foundry specializing in period and revival typeface designs. It is a subsidiary of FontHaus. From Aquiline, a period 16th century typeface to great revivals like Carpenter, Corvinus Skyline, Cloister Initials and Metro Sans, these typefaces also have great contemporary appeal as well as important historical roots. Use as headlines or drop caps mixed with your favorite text. If there was an American Typeface Hall of Fame, Bank Gothic, designed by the great Morris Fuller Benton would hold a place of special distinction considering this design has survived so many trends in typographic fashion since being introduced in 1930. It's just as desirable today as it was over eighty years ago; arguably more. Today, Bank Gothic is a very popular choice as a titling face for science fiction books, posters and countless television and movie titles. It is also a popular typeface for use in computer games and digital graphics. GroupType’s 2010 revival of this American classic is true to the design, the period, and Benton’s aesthetic. GroupType worked with some of the most talented and experienced type designers that were historically grounded and sensitive to this design project. Fortunately, Mr. Benton has left us a large selection of other great typefaces for insight and guidance. GroupType’s new revival includes the original three weights in regular and condensed style but also a new small cap and lowercase in each font necessary for 21st century typography.

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