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PGF Elyss Sans Pro

PGF Elyss Sans Pro

by PeGGO Fonts
Individual Styles from $24.00 USD
Complete family of 14 fonts: $169.90 USD
PGF Elyss Sans Pro Font Family was designed by Pedro Gonzalez Jorquera, Marcelo Quiroz, PeGGO Fonts and published by PeGGO Fonts. PGF Elyss Sans Pro contains 14 styles and family package options.

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About PGF Elyss Sans Pro Font Family


PGF Elyss Sans Pro is based on its grand parent PFG Elyss Roman as a natural evolution of its classic form, with clean and modern lines, sharing the same original Elyss DNA, PGF Elyss Sans Pro arrives to shine in labels, invitations, book headlines & titles, brochures, newspaper and magazine design, logotypes, branding and corporate design, web & UI-UX design, digital graphics and much more. Deploying a set with more than 1000 glyphs, suitable for over 200 languages.

Including standard and discretionary ligatures; contextual alternates; lining, old style, smallcaps and tabular numerals; scientific and fractional forms; lining, smallcaps, tabular and oldstyle mathematical and currency symbols; localized language customization for azeri, german, dutch, polish, catalan, romanian, moldavian, turkish, and much more.

Check technical specimen document:

https://peggofonts.com/pdf/PGF-Elyss-Sans-Italique_(Specimen-2023)_1.17.pdf

Designers: Pedro Gonzalez Jorquera, Marcelo Quiroz, PeGGO Fonts

Publisher: PeGGO Fonts

Foundry: PeGGO Fonts

Design Owner: PeGGO Fonts

MyFonts debut: Oct 8, 2024

PGF Elyss Sans Pro

About PeGGO Fonts

“Peggo Fonts” is a Chilean based foundry, founded in 2002 by Pedro González, with more than 20 years doing fonts for you and more than 14 years on the market, on early stages Peggo Fonts started as a calligraphy design studio, so, we still love doing (and teaching) “real calligraphy” that we take as inspiration, we still love doing lettering and do technical type drawings as detailed and deep reference for our type design, always through a critical and fresh scope, analyzing and solving our constant global needs for design.We put all our energy on fine tunning a balance between function and aesthetics for the sake of better design and a more pleasant reading experience. We work on do optical adjustments, on programing useful opentype features and finding innovative design concepts.

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