Home / Fonts / The Fontry / WHAT SOUND POUNDS?

WHAT SOUND POUNDS?

WHAT SOUND POUNDS?

by The Fontry

Licenses from $5.00 USD

Complete family of 13 fonts: $5.00 USD

WHAT SOUND POUNDS? Font Poster 1

WHAT SOUND POUNDS? Font Poster 2

WHAT SOUND POUNDS? Font Poster 3

WHAT SOUND POUNDS? Font Poster 4

WHAT SOUND POUNDS? Font Family was designed by published by The Fontry. WHAT SOUND POUNDS? contains 13 styles and family package options.

More about this family

FREE 30-DAY TRIAL of Monotype Fonts to get over 150,000 fonts from more than 1,400 type foundries. Start free trial

Start free trial

Aa Glyphs
Best Value
Family Packages
Individual Styles
Tech Specs
Licensing

Select style to display all glyphs:

WHAT SOUND POUNDS ▲

WHAT SOUND POUNDS

WHAT SOUND POUNDS

WHAT SOUND SHADOWS

WHAT SOUND SHADOWS

WHAT SOUND SHADOWS Bold

WHAT SOUND SHADOWS Bold

WHAT SOUND SHADOWS Italic

WHAT SOUND SHADOWS Italic

WHAT SOUND XTENDS

WHAT SOUND XTENDS

WHAT SOUND XTSHADS

WHAT SOUND XTSHADS Bold

WHAT SOUND XTSHADS Italic

WHAT SOUND POUNDS - Glyph count:

This is a listing of all glyphs contained in the font, including OpenType variants that may only be accessible via OpenType-aware applications.

Each basic character (“A”) is followed by Unicode variants of the same character (Á, Ä…), then OpenType variants (small caps, alternates, ligatures…). This way you can see all the variations on a single character in one place.

WHAT SOUND POUNDS Family

13 fonts

Best Value!

WHAT SOUND POUNDS
WHAT SOUND POUNDS
WHAT SOUND SHADOWS
WHAT SOUND SHADOWS
WHAT SOUND SHADOWS Bold
WHAT SOUND SHADOWS Bold
WHAT SOUND SHADOWS Italic
WHAT SOUND SHADOWS Italic
WHAT SOUND XTENDS
WHAT SOUND XTENDS
WHAT SOUND XTSHADS
WHAT SOUND XTSHADS Bold
WHAT SOUND XTSHADS Italic

Per Style:

$0.38 USD

Pack of 13 styles:

$5.00 USD

Buying Choices

See 3 more See less

Select style to display tech specs:

Licensing Options

You can use this font in any of the following places. Read the full EULA text for details about each license. If you have a usage in mind that's not covered by these licenses, contact us and we'll see what we can do.

Desktop: for use on a desktop workstation

For the most common uses, both personal and professional, for use in desktop applications with a font menu.

For example:

Install the font on your Mac OS X or Windows system
Use the font within desktop applications such as Microsoft Word, Mac Pages, Adobe InDesign, Adobe Photoshop, etc.
Create and print documents, as well as static images (.jpeg, .tiff, .png)

Desktop licenses are based on the number of users of the fonts. You can change the number of users by clicking the quantity dropdown option on Buying Choices or Cart pages.

Please be sure to review the listing foundry's Desktop license agreement as some restrictions may apply—such as use in logos/trademarks, geographic restrictions (number of locations), and products that will be sold.

WHAT SOUND POUNDS? Desktop EULA

Webfonts: for your website

Webfonts allow you to embed the font into a webpage using the @font-face rule, so paragraphs and headings of text can be styled as the webfont. You will be serving the webfont kit for your own site and linking it in the CSS.

Webfonts can be used on a single domain. Agencies responsible for multiple websites, for example web design agencies or hosting providers, may not share a single webfont license across multiple websites.

If the font file itself won't be embedded in the website (for example, when the font is used in a static graphic image such as a logo) you should purchase a Desktop license instead.

Most foundries on MyFonts offer their webfonts with the Annual license model. Click here to Learn more.

WHAT SOUND POUNDS? WebFont EULA

App: for embedding in mobile applications

Select this license type when you are developing an app for iOS, Android, or Windows Phone, and you will be embedding the font file in your mobile application's code.

WHAT SOUND POUNDS? App EULA

Electronic Doc: for embedding in e-text products

You can use an Electronic Doc license to embed the font in an electronic publication such as an eBook, eMagazine, eNewspaper, or interactive PDF.

An Electronic Doc license is based on the number of publications in which the font is used. Each issue counts as a separate publication. Regional or format variations don't count as separate publications.

Updated versions of publications that are free to previous customers do not need a new license; otherwise, each new version that is released counts as a separate publication.

For font usage in graphic images shown as the ePub cover, consider a Desktop license instead as most allow for it.

WHAT SOUND POUNDS? Electronic Doc EULA

Licensing Options

Desktop
Webfonts
App
Electronic Doc

Related Tags

About WHAT SOUND POUNDS? Font Family

You'll want to call it many things. You'll swear it's a sport font in distress. You'll imagine it emblazoned on the flanks of battered starships. You'll wonder what niche, what genre it was ever meant to occupy. Is it a display font? Text? Is that a noise in your ear? A sounding pound against your thoughts? Ask what you think of that sound and it's potential to melt you where you stand, and you'll find this very font staring back on you. After a long, hot summer, this genre-siphoning face has finally been upgraded. WHAT SOUND POUNDS? is a family of 4 fonts now, with the addition of an extended version and two contoured drop shadow flavors that are guaranteed to leave you picking at your pieces. A layering feature, accessed by switching between Bold and Italic Styles, allows for instant color effects. And there's been some complaints about the "parasites" growing off the sides of only 3 of the uppercase letters. Those who hate them want them gone. Those who like them want more. Both camps can now find satisfaction. Using OpenType Features or your Character Map will allow you to pick and choose the style you want.

Designers:

Publisher: The Fontry

Foundry: The Fontry

Design Owner: The Fontry

MyFonts debut: Mar 4, 2009

WHAT SOUND POUNDS?

About The Fontry

When foundry's were making steel and fonts were but a molten dream ... well, we don't go that far back! But that's how we came up with the name for The Fontry. Spun into existence in 1992 by James L. Stirling and Michael Gene Adkins, The Fontry owes its origins to lots and lots of years working around screenprint shops and the signmaking business, influences that translate clearly into our font designs. It stands to reason then that many of our typographic efforts reflect the needs of those industries. Not ones to wimp around with frilly type, many of our fonts exude the strength you've come to expect from any font that dares to call itself a display face. No typesetting lots of tiny text with any of our fonts! And our inspiration covers the gamut, from full-on customs to period revivals. But no matter the origins, we pride ourselves on taking care of the details, from the nudge-fussiest node positioning to the single-digit kerning adjustments. Every Fontry font has over 40 hours of work in it, and we like to think it shows. At least we hope it shows--really! So for fonts that really fill the space, we're the foundry guys you wanna try!

Read more

Read less