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Coronaâ„¢

A font family tree displays different foundries’ versions, or a foundry’s different cuts, of basically the same typeface design.

Coronaâ„¢ Any OpenType FeaturesBasic Latin/English lettersWest European diacriticsEuroLigaturesDingbats & Symbols
Linotype Font Family — 3 styles
Preview Image
Corona® Any OpenType FeaturesBasic Latin/English lettersWest European diacriticsEuroLigaturesDingbats & Symbols
Adobe Font Family — 3 styles — from $29.00
Corona®
News 705 Basic Latin/English lettersWest European diacriticsEuroLigaturesTurkishDingbats & Symbols
Bitstream Font Family — 4 styles — from $99.00
News 705
News 705 Any OpenType FeaturesBasic Latin/English lettersWest European diacriticsEuroLigaturesCentral EuropeBalticTurkishRomanianOther OpenTypeDingbats & Symbols
Tilde Font Family — 4 styles — from $99.75
News 705
Corona Basic Latin/English lettersWest European diacriticsLigatures
Monotype Imaging Font Family — 3 styles
Corona

Corona

Decreasing width of the American newspaper web led to narrower news columns, and a demand for a more condensed typeface. Reaction from the quiet texture of Excelsior suggested a stronger contrast, more like Regal. Griffith designed Linotype Corona, which has been the leading American news design for the last thirty-five years. Extreme pressure for large sizes on narrow columns lead to condensed teletypesetter versions that lacked legibility, particularly in many of the unlicensed versions. [A darker derivative is Aurora.]

Corona

Some words from Linotype:

Corona was designed by C.H. Griffith and appeared with Mergenthaler Linotype in 1941. It is a part of Griffith’s ‘Legibility Group’, on which he began working in 1922 and which contains typefaces especially well-suited to newsprint. Corona is based on forms of the Ionic type, perhaps the first style designed specifically for newspapers. The font is relatively small but gives an impression of strength and modernity.



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