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De Vinne
A font family tree displays different foundries’ versions, or a foundry’s different cuts, of basically the same typeface design.
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De Vinne
This revival of the Bruce Foundry’s No. 11 is typical of the nineteenth century types derived from the work of Didot and Bodoni; the face remains popular with lawyers and government printers. In fact, Theodore Low De Vinne opposed this kind of design as hard to print and read; he had Century designed to replace it.
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