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Amira®
A font family tree displays different foundries’ versions, or a foundry’s different cuts, of basically the same typeface design.
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Amira
Some words from Font Bureau:
The cross between calligraphy and sanserif is rare, inhabiting territory between Hermann Zapf’s Optima, classical sans structure with a calligraphic spirit, and Warren Chapell’s Lydian, classical calligraphy without serifs.
Cyrus Highsmith claims adventurous new ground with Amira, a letterform that pops from the page with an angled vitality that both welcomes and surprises readers with bright new rhythms and texture.
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