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Anisette®
A font family tree displays different foundries’ versions, or a foundry’s different cuts, of basically the same typeface design.
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Anisette
Some words from Font Bureau:
Systematic variation of Art Deco capitals in Cassandre’s posters led to Anisette. Rich contrasts in width and weight of hand-lettered geometry suggested a hidden typographic opportunity.
In 1930, Deberny & Peignot released Banjo Initials, adapting a hairline weight for two widths of type.
Jean-Francois Porchez completed the typographic system with a five-weight series of striking geometric beauty and great complexity.
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