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FF Absara Sans

FF Absara® Sans

by FontFont
Individual Styles from $58.99
Complete family of 10 fonts: $471.99
FF Absara Sans Font Family was designed by Xavier Dupré and published by FontFont. FF Absara Sans contains 20 styles and family package options.

More about this family
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Per style:

$29.49

Pack of 2 styles:

$58.99

Per style:

$29.49

Pack of 2 styles:

$58.99

Per style:

$29.49

Pack of 2 styles:

$58.99

Per style:

$29.49

Pack of 2 styles:

$58.99

Per style:

$29.49

Pack of 2 styles:

$58.99

Per style:

$29.49

Pack of 2 styles:

$58.99

Per style:

$29.49

Pack of 2 styles:

$58.99

Per style:

$29.49

Pack of 2 styles:

$58.99

Per style:

$29.49

Pack of 2 styles:

$58.99

Per style:

$29.49

Pack of 2 styles:

$58.99

About FF Absara Sans Font Family


French type designer Xavier Dupré created this sans FontFont in 2005. The family has 10 weights, ranging from Thin to Bold (including italics) and is ideally suited for advertising and packaging and logo, branding and creative industries projects. FF Absara Sans provides advanced typographical support with features such as ligatures, small capitals, alternate characters, case-sensitive forms, fractions, and super- and subscript characters. It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths. This FontFont is a member of the FF Absara super family, which also includes FF Absara, FF Absara Headline, and FF Absara Sans Headline.

Designers: Xavier Dupré

Publisher: FontFont

Foundry: FontFont

Design Owner: FontFont

MyFonts debut: Nov 19, 2008

FF Absara® Sans is a trademark of Monotype GmbH registered in the U.S. Patent and Trademark Office and may be registered in certain other jurisdictions. FF is a trademark of Monotype GmbH registered in the U.S. Patent and Trademark Office and may be registered in certain other jurisdictions.

About FontFont

Based in the trendy district of Kreuzberg in Berlin, Germany, FontFont was established in 1990 when FontShop founder Erik Spiekermann and fellow type designer Neville Brody wanted to build a foundry where type was made for designers, by designers; a place where type designers were given a fair and friendly offer and where true type magic was made. “From the very beginning,” representatives of the foundry say, “we wanted to bend the rules and test typographic boundaries, to build a library with a collection like no other; a range of typefaces that had different styles, different purposes, that was contemporary, experimental, unorthodox, and radical.”

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