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Besley Clarendon
A font family tree displays different foundries’ versions, or a foundry’s different cuts, of basically the same typeface design.
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Besley Clarendon
Some words from HiH:
Besley Clarendon is our version of the Clarendon registered by Robert Besley and the Fann Street Foundry in 1845. Besley Clarendon represents a significant change from the slab-serif Antiques and Egyptians that had become so popular in the prior three decades. Like Caslon’s Ionic of 1844, it brackets the serifs and strongly differentiates between the thick and thin strokes. Besley Clarendon is also what today is considered a condensed face, as a comparison to the various contemporary Clarendons will show.
Robert Besley’s Clarendon was so popular that many foundries quickly copied it, a fact that caused him to complain vigorously. The reason it was so widely copied is simple: it was extremely useful. It provided the attention-getting boldness to highlight a word or phrase, yet at the same time was compact and easier to read than the fat faces and antiques of the period. It wasn't until sixty years later that the concept of a typeface family of different weights was developed with DeVinne and Cheltingham. Until then, Clarendon served as everyone’s all-purpose bold face. It can be used for ads, flyers, headers or even short text. Don't leave home without it.
Besley Clarendon comes with a full compliment of ligatures: 123=ch, 125=ck, 135=fi, 137=fl, 167=ff, 172=ffi and 177=Mc. Lower case o and u with Hungarian umlaut at 215 and 247 are also included.
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