Psst… check out the new MyFonts beta site.
MyFonts Home
“Want a font with flared stems? Type flared!”
 
Cart
HomeFind FontsWhatTheFontCDsSpecialsStarletsMy AccountHelp

How to Buy
Help: How to Buy This Font

More Like This
More Fonts
Like This

Designers
More Fonts by
Vincent Figgins

Foundries
More Fonts from
HiH


Related Albums:
La Dauphine
Pretty Fonts
kim's Album
Victorian
Baby & Child Fonts
Retro Fonts Extreme
Candy Treats
oloffson
Cynthia's Album
Old World Fonts
WOOD and stuff
Leatherheads General
Me Have
Tim's Album
For Ilona
Beth's Album
Baxter's
Great Wine
victorian typefaces
Log Jam

Font Family
<< previous | next >> | up to Family Tree | index

Figgins Tuscan™

 from HiH

Figgins Tuscan™ is a HiH font family with 1 style priced from $10.00.

Click the Purchase Options button below to view pricing and availability information.

Figgins Tuscan™


Figgins TuscanPurchase Options
  Figgins Tuscan Basic Latin/English lettersWest European diacritics
  Preview Imageadd to album
$10.00

Gallery Images

View all Gallery Images



 
Click images to enlarge

Design Credits

First seen on MyFonts: November 14th, 2005
Designed by: Vincent Figgins
Contained in Category: Decorative & Display
Design owned by: HiH
MyFonts Keywords: 1800s, all caps, bifurcated, caps only, commercial, decorative, English, retro, tuscan


Figgins Tuscan

Early in the 19th century, foundries began releasing a variety of decorated ornamental letters based on the Tuscan letterform. Fancy Tuscan letters quickly became so popular, they eventually came to represent the cluttered extremes of Victorian design. Foundries competed with each other to produce most extravagantly decorated letterforms. As often happens, success turned to excess.

What is often overlooked is the long history of the Tuscan style. Early examples have been traced back to ancient Rome. Indeed, the characteristic bifurcation may have represented a fishtail to the early Christians, thus sharing in the roll of symbolic identification played by the simple drawing of a fish as a whole. Later. trifurcation was developed as an alternate termination, followed by loops, full fishtails, curls, hooks and other fancy variations.

Nicolete Gray provides an extensive history in her Appendix One of NINETEENTH CENTURY ORNAMENTED TYPEFACES. According to Gray, the first metal typeface based on the Tuscan form was the Ornamented of 1817 by Vincent Figgins of London. Thorowgood followed suit in 1821, Fry in 1824 and Caslon in 1830. Each was to re-visit the form many times during the Victorian era.

Here we present our interpretation of what Figgins might have produced in a basic, plain Tuscan form - free of the decorative additions. We are pretty safe here because Figgins was very creative. He explored many of the terminal variations listed above and combined them with different decorative devices to produce a constant stream of new faces to meet the demands of the marketplace.


Not quite what you’re looking for?

Try looking at more fonts like this.

‘Figgins Tuscan’ is a trademark of HiH.



About UsTestimonialsSell Your FontsBecome an AffiliateSite MapSign In

MyFonts   500 Nickerson Road   Marlborough MA 01752   USA
MyFonts and MyFonts.com are registered trademarks of Bitstream, Inc.
WhatTheFont and Starlets are trademarks of Bitstream, Inc.
Copyright © 1999–2009 Bitstream, Inc. PRIVACY POLICY

Shady characters should send email to Jonathan Gibbs.