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Bell Gothicâ„¢

A font family tree displays different foundries’ versions, or a foundry’s different cuts, of basically the same typeface design.

Bell Gothicâ„¢ Any OpenType FeaturesBasic Latin/English lettersWest European diacriticsEuroLigaturesDingbats & Symbols
Linotype Font Family — 3 styles
Preview Image
Bell Gothic Any OpenType FeaturesBasic Latin/English lettersWest European diacriticsEuroLigaturesDingbats & Symbols
Adobe Font Family — 3 styles — from $29.00
Bell Gothic
Bell Gothic Basic Latin/English lettersWest European diacriticsEuroLigaturesTurkishDingbats & Symbols
Bitstream Font Family — 3 styles — from $24.75
Bell Gothic
Bell Gothic Basic Latin/English lettersWest European diacriticsEuroLigaturesCentral EuropeBalticTurkishRomanianCyrillicDingbats & Symbols
ParaType Font Family — 3 styles — from $25.00
Bell Gothic
Griffith Gothic® Basic Latin/English lettersWest European diacriticsEuroLigaturesDingbats & Symbols
Font Bureau Font Family — 18 styles — from $40.00
Griffith Gothic®
Bell Gothic Basic Latin/English lettersWest European diacriticsLigatures
Monotype Imaging Font Family — 3 styles
Bell Gothic

Bell Gothic

Some words from Linotype:

C.H. Griffith was commissioned by the American telephone company, Bell, to design a typeface which would be particularly suited to small, compressed sentences and inferior paper quality. The font was intended for use in the company’s telephone books. Griffith had already had experience with the conception of newsprint fonts and was interested in legibility issues. In 1922 Griffith created the Legibility Group, which contained particularly legible fonts predestined for newspapers. Bell Gothic has all the typical characteristics which optimize a font’s legibility.

The modern heir of Bell Gothic is Bell Centennial, designed by Matthew Carter in 1974 in celebration of the Bell Company’s 100th birthday.



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