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Orqquidea

Orqquidea

by PeGGO Fonts
Individual Styles from $0.00
Complete family of 14 fonts: $300.00
Orqquidea Font Family was designed by Pedro Gonzalez Jorquera, Marcela Aguilera and published by PeGGO Fonts. Orqquidea contains 15 styles and family package options.

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About Orqquidea Font Family


Low contrast and clean Roman Sans with capitals based on the classic Capitalis Monumentalis proportions with uniform and modern SmallCaps, with a subtle script touch on some curved strokes, that give it a less hard feel, more organic and friendly look. The design idea born on 2013 from Roman Schemme studies, where new version of Legan and other roman typeface projects was based on too. Orqquidea was developed in 12 sizes with 659 glyphs each enhanced with professional opentype features (aalt, ccmp, locl, subs, sups, numr, dnom, frac, ordn, lnum, pnum, tnum, onum, c2sc, smcp, case, dlig, liga, zero, salt, calt, ss01, ss02, ss03, ss04), plus a complementary Orqquidea Framed version with 226 glyphs and a Orqquidea Garden version that include floral ornaments and related dingbats with 102 glyphs. It can easily adapt to print and digital environments ideal for fashion branding and corporate purposes, magazine and book headlines and titles, cosmetic label design and even on contents with a modern and artistic air.

Designers: Pedro Gonzalez Jorquera, Marcela Aguilera

Publisher: PeGGO Fonts

Foundry: PeGGO Fonts

Design Owner: PeGGO Fonts

MyFonts debut: Apr 17, 2018

Orqquidea

About PeGGO Fonts

“Peggo Fonts” is a Chilean based foundry, founded in 2002 by Pedro González, with more than 20 years doing fonts for you and more than 14 years on the market, on early stages Peggo Fonts started as a calligraphy design studio, so, we still love doing (and teaching) “real calligraphy” that we take as inspiration, we still love doing lettering and do technical type drawings as detailed and deep reference for our type design, always through a critical and fresh scope, analyzing and solving our constant global needs for design.We put all our energy on fine tunning a balance between function and aesthetics for the sake of better design and a more pleasant reading experience. We work on do optical adjustments, on programing useful opentype features and finding innovative design concepts.

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