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St Friska

St Friska™

by Stereotypes
Individual Styles from $34.00
St Friska Font Family was designed by Sascha Timplan and published by Stereotypes. St Friska contains 1 styles.

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About St Friska Font Family


St Friska, based on old movie title lettering, is made just for headlines. It comes with a slight touch and feeling of art deco but it’s designed to be contemporary in 2010 and beyond. Friska comes with a big bunch of OpenType features, so a designer can play with it like Lego, using it alongside old or new typefaces. It has stylistic sets and lots of ligatures.

Designers: Sascha Timplan

Publisher: Stereotypes

Foundry: Stereotypes

Design Owner: Stereotypes

MyFonts debut: Sep 9, 2010

St Friska™ is a trademark of Stereotypes.

About Stereotypes

Stereotypes is a one-man foundry based in south-west Germany, run by Sascha Timplan. A long-time DJ, Sascha’s introduction to letterforms came in the form of documentary films on hip-hop culture and graffiti. “Ultimately, it was my love for music that brought me to graphic design,” he said in his 2014 Creative Characters interview. “I always had sketchbooks with me and my main interest apart from DJing was graffiti. I only drew on paper, never walls. I wasn’t able to draw people or cartoon characters, so what I was left with was lettering.” Since joining MyFonts in 2009, his foundry has produced a collection of diverse, original and very useable typefaces. “I feel that all of my fonts from the early years belong in the category of display faces,” he said. “Now, hopefully, the time has come to design more text fonts or type systems such as Christel, which I’m really proud of.” Sascha has also seen great success with St Ryde, a humanistic sans-serif face that was named one of MyFonts Top Fonts in the year of its release. The name of his foundry, Stereotypes, is a nod to his passion for both typography and music – it has nothing to do with cliched ideas. Of his ever-growing knowledge and skill in his art, he says, “As in most creative disciplines, a long period of self-study in type design is almost inevitable. If you want to persist, you have to work on yourself every day. It’s the school of hard knocks.”

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