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Bitstream

Bitstream is known among type enthusiasts and professionals alike as being one of the companies that lead the way towards the democratization of type. For centuries, the type world had been the exclusive domain of skilled typographers who worked large, cumbersome presses. With the birth of digital type though, came a revolution in the industry that enabled Bitstream, one of the first digital type foundries, to help grow the desktop publishing industry.

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325 font families from Bitstream

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Fry’s Baskerville

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Fry’s Baskerville Fry’s Baskerville

Isaac Moore’s recutting of Baskerville’s design for the Fry Typefoundry, long admired as a display design.

Oz Handicraft BT™

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2 fonts from $29.00
Oz Handicraft BT™ Oz Handicraft BT™

Oz Handicraft was designed at Bitstream in 1990 by George Ryan. Oz was rendered from a showing of Oswald Cooper’s hand lettering found in ‘The Book of Oz Cooper published in 1949 by the Society of Typographic Arts in Chicago.

Orbit-B™

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Orbit-B™ Orbit-B™

A second VGC face, this one by S. Biggenden, borrowing from the structure of MICR figures to lend computer associations to the page.

Gothic No.13®

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Gothic No.13® Gothic No.13®

A dark, condensed, nineteenth century sanserif made popular by Linotype, the capitals deriving from Barnhart Brothers and Spindler, the lowercase from Farmer.

Baker Signet™

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Baker Signet™ Baker Signet™

A design on classical lines with subtle but effective calligraphic touches, by Arthur Baker for VGC. The Bold version is used for the Coke logo all over the world.

Tango™

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1 font from $29.00
Tango™ Tango™

Liberty™

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Liberty™ Liberty™

Based on Lucien Bernhard’s idiosyncratic Schoenschrift, Liberty was designed for ATF two years later, in 1927, by W.T. Sniffin.

Imperial

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3 fonts from $29.00
Imperial Imperial

Ed Shaar’s Intertype alternative to the Linotype legibility group.

Candida®

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3 fonts from $29.00
Candida® Candida®

German designer Erbar drew the Candida typeface for the Ludwig & Mayer foundry shortly before his death in 1935. The typeface was released posthumously in 1936. An italic designed by Walter Höhnisch was published the following year and a reworked version was produced in 1945. Bold weights followed in 1951. Thanks to its clarity and readability in small sizes, the Candida family remained popular in the digital age.

Balloon™

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3 fonts from $29.00
Balloon™ Balloon™

Another informal script designed in 1939 by M.K. Kaufmann for ATF.

Impress

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1 font from $29.00
Impress Impress

Caslon Old Face

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3 fonts from $29.00
Caslon Old Face Caslon Old Face

William Caslon established the first major English typefoundry, re-creating earlier Dutch designs with excellent craftsmanship, color and rhythm.

ITC Tom’s Roman

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ITC Tom’s Roman ITC Tom’s Roman

Another personal revival of the Oldstyle, sharing the style of Trooper.

Vineta™

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Vineta™ Vineta™

An inline shadowed Clarendon designed in 1973 for VGC by Ernst Volker.

Schadow™

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6 fonts from $29.00
Schadow™ Schadow™

Designed by Georg Trump in 1938, this typeface was Weber’s answer to Ludwig & Mayer’s Candida.

Kaufmann™

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2 fonts from $29.00
Kaufmann™ Kaufmann™

The most popular type of this kind, designed for ATF by M.R. Kaufmann in 1936.

Piranesi™

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Piranesi™ Piranesi™

An informal script designed for ATF as an italic for his Piranesi by W.T. Sniffin.

MICR

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3 fonts from $29.00
MICR MICR

The familiar numerals from the bottom of American MICR (Magnetic Ink Character Recognition) checks, designed in 1958 for printing in magnetic ink to be read by magnetic readers and humans; they are produced in several closely related weights for light, normal or heavy inking. Most simulated computer typefaces are based on this design.

Davida™

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Davida™ Davida™

A highly decorative set of capitals suggesting nineteenth century forms, designed by Louis Minott for VGC in 1965.

Della Robbia™

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2 fonts from $29.00
Della Robbia™ Della Robbia™

Thomas Maitland Cleland’s careful and scholarly creation of a typeface from 15th Century Florentine inscriptional capitals; designed for the Bruce division of ATF.

Lydian Cursive

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Lydian Cursive Lydian Cursive

Lydian is Warren Chappell’s almost calligraphic sanserif, designed for ATF in 1938. Lydian Cursive, done by Chappell in 1940, is much freer and more calligraphic.

Life is a journey.

Cloister™

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Cloister™ Cloister™

Designed for ATF in 1913, Morris Fuller Benton’s version of Nicholas Jenson’s roman, the best of the Venetians and a model for regularity in color and fit.

Fraktur

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Fraktur Fraktur

The standard German Fraktur textface of the last century, principally used today for mathematical setting.

ITC Gorilla

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ITC Gorilla ITC Gorilla

Borrowed from Post Oldstyle by Tom Carnase and Ronne Bonder, who prepared the face for ITC.

Nuptial

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Nuptial Nuptial

An informal script designed at Intertype for wedding invitations.

American Text™

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American Text™ American Text™

A condensed American blackletter designed for ATF in 1932 by Morris Fuller Benton; the face grows out of nineteenth century roots.

Raleigh™

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6 fonts from $29.00
Raleigh™ Raleigh™

Following the death of Carl Dair, David Anderson redrew Dair’s design, Cartier, for Typsettra, where it was renamed Raleigh. Adrian Williams at Fonts added three weights as a display series for Conways, while Robert Norton drew the text series.

Caslon Bold

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2 fonts from $29.00
Caslon Bold Caslon Bold

The Bitstream version of Caslon 3 of the American Type Founders, 1905.

Empire™

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1 font from $29.00
Empire™ Empire™

Wedding Text™

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1 font from $29.00
Wedding Text™ Wedding Text™

Morris Fuller Benton’s version of the standard American nineteenth century blackletter made for ATF in 1901.

ITC Grizzly

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ITC Grizzly ITC Grizzly

An early ITC borrowing from Kabel, faithful to the original proportions of Kabel Heavy, from the hands of Ronne Bonder and Tom Carnase.

Script 12 Pitch

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Script 12 Pitch Script 12 Pitch

Life®

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4 fonts from $29.00
Life® Life®

Designed by Francesco Simoncini and W. Bilz, this design follows Times New Roman in structure, but differs in some details. Unlike Times New Roman, the boldface is a weighted version of the roman.

Hobo™

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1 font from $29.00
Hobo™ Hobo™

Morris Fuller Benton’s 1910 contribution to the Art Nouveau sanserif, designed for ATF, with all descenders eliminated to encourage combinations of this typeface with other shapes.

Shotgun™

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2 fonts from $29.00
Shotgun™ Shotgun™

Sets of Art Deco capitals shot full of holes for display effect by by J. Looney at VGC.

Amelia™

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Amelia™ Amelia™

Stan Davis drew this face for VGC in 1967, following the structure of the MICR figures to suggest a ‘computerized’ effect.

Bernhard Tango™

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1 font from $29.00
Bernhard Tango™ Bernhard Tango™

An elegant and disciplined script popular for fifty years.

Thunderbird™

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1 font from $29.00
Thunderbird™ Thunderbird™

A typical set of American Tuscan capitals cast by ATF in the middle of the nineteenth century.

Maximus™

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1 font from $29.00
Maximus™ Maximus™

Bremen™

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2 fonts from $29.00
Bremen™ Bremen™

Bremen was designed at Bitstream by Richard Lipton and released in 1992. It is based on German poster art from the period between the World Wars.

Newspaper Pi

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1 font from $29.00
Newspaper Pi Newspaper Pi

Bernhard Bold Condensed

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1 font from $29.00
Bernhard Bold Condensed Bernhard Bold Condensed

A freely drawn heading face prepared in 1912 by Lucian Bernhard for Bauer. The typeface enjoys a vogue in Europe.

Century® Schoolbook WGL4

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4 fonts from $29.00
Century® Schoolbook WGL4 Century® Schoolbook WGL4

In 1924 Morris Fuller Benton designed for ATF a new variation on his father’s design, Century Oldstyle. Century Schoolbook has become a synonym for readability.

Letter Gothic 12 Pitch

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4 fonts from $29.00
Letter Gothic 12 Pitch Letter Gothic 12 Pitch

Roger Roberson skillfully adapted the sanserif to the monospace IBM typewriter at Lexington, Kentucky, in 1956.

Latin Extra Condensed™

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1 font from $29.00
Latin Extra Condensed™ Latin Extra Condensed™

The American nineteenth century display form as handed down through ATF and the composing machine companies, largely for use in newspaper headlines.

Poster Bodoni WGL4

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1 font from $29.00
Poster Bodoni WGL4 Poster Bodoni WGL4

A slightly more refined revival of the Fat Face, as supervised by Chauncey Griffith at Mergenthaler one year after ATF’s Ultra Bodoni.

Impuls™

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1 font from $29.00
Impuls™ Impuls™

A vigorous brush design by Paul Zimmermann for Wagner in 1954.

Universal Math I

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1 font from $29.00
Universal Math I Universal Math I

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