This is a listing of all glyphs contained in the font, including OpenType variants that may only be accessible via OpenType-aware applications.
Each basic character (“A”) is followed by Unicode variants of the same character (Á, Ä…), then OpenType variants (small caps, alternates, ligatures…). This way you can see all the variations on a single character in one place.
MyFonts licenses are tailored for individual creatives. Not all licenses are compatible with broad usage cases or complicated creative workflows, so make sure to read the full EULA text for details. If you are licensing fonts for use at an Agency or Company, or if you have a usage requirement that isn't listed below or are unsure about the use cases shown here, contact us and we'll help you determine the best fit for your needs.
The following licenses are available for this font.
Desktop: for creating designs
This entry-level license enables personal and commercial traditional graphic designer work.
The Desktop License allows you to create, print, and share flat, non-editable designs such as:
Brand identity
Use fonts to create a strong and consistent brand identity.
Videos
Apply fonts in titles, credits, and on-screen text.
PDFs
Style reports, brochures, and digital documents.
Greeting cards
Design unique, personalized cards for any occasion.
Logos
Craft memorable, professional logo typography.
Signage (wayfinding & billboards)
Make clear, eye-catching signage for indoor or outdoor use.
Flyers
Set readable, attractive headlines and layouts.
Packaging
Enhance product packaging with stylish text.
Album covers
Print custom text designs on t-shirts, hoodies, and more.
Posters
Bold, eye-catching poster layouts.
Invitations
Create stylish, personalized invitations for events.
Social posts
Enhance graphics and captions with unique fonts.
Business cards
Craft professional, memorable business card designs.
Fonts cannot be hosted on DAMs as downloadable assets.
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Desktop licenses are based on the number of users of the fonts. You can change the number of users by clicking the quantity dropdown option on Buying Choices or Cart pages.
Please be sure to review the listing foundry's
Desktop license agreement
as some restrictions may apply—such as use in logos/trademarks, geographic restrictions (number of locations), and products that will be sold.
Adding users later:
Desktop licenses are cumulative. If you require a Desktop license that covers additional users, simply place a new order for the same Desktop package, for the number of additional users.
Webfonts allow you to embed the font into a webpage using the @font-face rule, so paragraphs and headings
of text can be styled as the webfont. You will be serving the webfont kit for your own site and linking
it in the CSS.
Webfonts can be used on a single domain. Agencies responsible for multiple websites, for example web
design agencies or hosting providers, may not share a single webfont license across multiple websites.
If the font file itself won't be embedded in the website (for example, when the font is used in a static
graphic image such as a logo) you should purchase a Desktop license instead.
Most foundries on MyFonts offer their webfonts with the Annual license model. Click here to
Learn more.
Chances are you like alphabets and glyph shapes as much as I do, and you’re a bit pragmatic in searching for the right type, but can’t quite put your finger on it; please let me take you down a short but memorable path. My design journey begins by sourcing analog alphabetical artifacts of the past. At the same time I’d like to point out there are thousands of type faces available to make a visual statement, so I recommend taking the time to locate the best choices in type for the unique items you wish to communicate. I do not take credit for making these classic alphabet characters. As a revivalist I'll scan, trace, balance as well as shepherd a faces authenticity from a long fallow field into a new and lively, usable format. As a digital developer of analog or mechanical alphabets, I’d hate to be perceived as sentimental. There are so many sentimental type lovers out there who want to see the classics of wood and metal type digitized. Most of that work has been done and done rather well. My path has more to do with the concept of re-uniting the loyal dependable functional uncomplaining alphabet that you can perceive as an old friend, like a pet dog who gave you unconditional love as a child. Or that of a plow horse who knew how to get the job done, rather quietly and under appreciated when the tractor arrived. Or having a face only a mother could love. Samplings: Let’s imagine looking at a struck alphabetical character from a manual typewriter’s rubber platen, originating when a metal head strikes an oily black inked silk ribbon yielding an impression onto paper, or the rounded un-smudged struck impressions from a fresh piece of reusable carbon paper (carbon copies? cc?). Other samplings originally from metal objects like brass stencils, India ink templates on drafting boards, and even plastic label maker guns like those used by my father (and can still be found today) to squeeze an embossed name label, dialed up and triggered onto a plastic tape letter by letter for 'Johnny's' hard hat 35 years ago. All of these diverse methods of generating an alphanumeric character have one thing in common; they come from hand operated devices all needing an analog medium: inks, paints, and embossing techniques to produce an alphabetical character. There is a human side to all of this of course. These items derived the working alphabets of the people. People who typed letters accurately without spell checkers, or Wite-Out®. Hand lettering guys who detailed trucks, or stenciled “KEEP OUT — DANGER” on plywood at a construction site. Or Captain John O’Learn typing away on his Royal with a pipe in his mouth 100 miles from the nearest electrical socket. Or Donald Alling, an engineer ruling miles of LeRoy lettering call-outs with ink pens and templates on Mylar®. Illustrating exploded views of dismantled assembly parts for machines, many, no longer in existence today. Like the lettering tools he used himself, even the applications he used them for are long gone. These letter samplings are now called specimens; are scanned, auto traced, placed on key map vectors, baselined, and otherwise balanced and fine tuned based on Coniglio imaging “recipes”. Offering up functional type elements planet-wide for the designer, whose own desire for self expression is liberated by these “creativity tools” now owning up as a viable product that meets and often exceeds the required standard of quality in the commercial market place. That’s only the qualifier. The fonts for sale in this small collection, Joseph V Coniglio made for himself to use on all of his own graphic design and display/text projects. These types are refreshingly versatile and gets the job done quietly with a great deal of personal satisfaction. The sets and samplings are rather unique reclamations of alphabets orphaned by time and the advances in technology. Most of them relegated to the trash heap in a society bent on self improvement via revision rendering obsolescence. Now in Coniglio’s camp, a mere handful of alphabet specimens are awakened and exploited from their forsaken sleep, and can dance and sing on your pages for the first time. Finally, the abstract incantation: “Meditations of my alchemy fall under the silent cloak of night when the world around me is asleep. I probe into what once was, what once was thriving, and what once was forgotten. Then I impose a warm distinctive personality onto my newly created letter forms. I delve internally into the realm of antiquity. Conjuring the things I know and love, to make them digital and magic once more. In doing so, I complete the circle from the forsaken inanimate, to the now conscious free flowing digital anagram. Please enjoy my small personally made type creations. Type I use myself every day.