The very first sketches of Muller were made about four years ago.
In the process they changed to the point where they had nothing in common with the original idea. As it is with most work we do, when we seek perfection, changes are inevitable.
#3: Texta Narrow
Thirty years after its first appearance, Jovica Veljović has produced ITC New Veljovic Pro, a completely revised edition of his first typeface, ITC Veljovic (1984). Prof. Veljović has tapped into all the experience he has garnered over the past decades; by carefully adjusting the proportions of the characters he has provided the new typeface with a more harmonious presence. The serifs have been subtly curtailed and the letters made slightly more condensed. Some new features of ITC New Veljovic are the double-story “g” with its completely closed loop and the more open forms of the “c” and “e”. In the italic variants, the latter is much rounder.
#7: Veryberry Pro
Veryberry is a handwritten font with a unique character inspired by latest trends in modern calligraphy and handlettering.
Full of open type features, is best used in an OpenType-aware software. Font supports most of European languages including cyrillic ones.
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#9: Sofia Rough
Inspired by old nature field notebooks, Natura was born out of the passion for new modern hand-calligraphy, designed first with a flexible fountain pen and then digitalized glyph by glyph to get the natural feeling of the dry ink on smooth paper.
#14: Jabana Alt
#17: La Veronique
Blockbusters, posters, titles and movie trailers — now we have created the perfect font family for this. Bluescreens — a high-quality font family which is designed specifically for cinephiles and directors. Condensed style contains five most popular typefaces: Thin, Light, Regular, Bold, Black and Italics.
Diaria started as a project in Typeface Architecture for Master in Advanced Typograghy at EINA, Centre Universitari de Disseny i Art de Barcelona, a course tutored by Laura Meseguer and Íñigo Jerez Quintana. Later it has developed into Diaria Pro, an extensive typeface including Cyrillic script, small caps, and various OpenType features.
#26: Bali Script™
A very friendly-looking sans, Quantum Latin is Hitesh Malaviya’s first published typeface for the Latin-script. Its five styles are very, very wide, but the letterforms do not look too technical. Stroke endings are vertical, like in a humanist sans. Don’t overlook the tails on ‘K,’ ‘Q,’ ‘R,’ and ‘k!’
#32: Haptic Script
The HapticScript family is a connected brush script with a warm, personal and soft character. The typeface family has five styles from Light through Black. It was designed as a companion and extension to the Haptic sans-serif family.
Graphic designers always search for new geometric sans faces appropriate for our times. ITF is pleased to present them with Volte. Including the five most essential font weights (Light–Bold), Volte Latin differentiates itself from the geometric sans pack through its simplification and reduction. For a geometric sans, Volte’s letters are very open. Some letters appear constructed, but they all retain the necessary geometric and monolinear spirt. Volte’s openness increases its legibility, too. Coupled with its clear style, this helps make Volte Latin an effective workhorse typeface.
Nevo is a 14 style contemporary sans serif designed by Stew Deane.
Nevo was specifically designed for a premium feel that is suitable for anything from advertising and branding to web and screen.
Elegant script typeface in two versions; Black and White.
#44: Jabana Extras
Chiavettieri draws inspiration from Humanist types, marked by low contrast between thick and thin strokes and the angle of stress in the bowls of letters. On the other hand, generous x-height, clean angled serifs and sharp cuts in the ball terminals suggest a more contemporary look. All these characteristics make it a robust, well balanced, legible typeface ideally suited for book text, editorial and publishing, as well as web and screen text.
Bassanova is a dynamic display font inspired by lettering on the “Love in the Afternoon” movie poster by Saul Bass. The font captures the minimalistic, yet very distinct look that is so typical for his designs.
Bassanova offers four versions for each letter that change automatically and give the font a handlettered feel. It also contains over 100 discretionary ligatures to add even more dynamic letter combinations to the mix.
This cool all-caps typeface fits a wide range of design applications, and it features a full international character set.
Please activate Open Type Features to get the most out of this font.