#2: Galano Classic
Galano Classic is the display companion of the Galano Grotesque family.
It pays again tribute to the geometric shapes of Futura, Avant Garde, Avenir and the like. However, instead of again resulting in a modern interpretation of the geometric genre, Galano Classic prefers to stay in the past, characterized by a moderate x-height and details like the long stretched leg of uppercase “R”, as well as the traditional shaped lowercase “g”, to mention only a few.
#5: TD Lemon
Fazeta is a type family that uses the optical sections. It is a modern static antiqua (it has not obliqued axis, serifs without slopes) but distant from ceremonious and rigid look of this type category. Inspiration was typeproduction from Czechoslovakia 60’s - J. Týfa, V. Preissig, J. Linzboth or A. Krátky. Common factor of this typefaces is vivid and sharp design with stable serifs, tend to rational construction rather than calligraphy and some sophisticated small details vitalized general impression. In this case are facetted asymmetrical arches (some abbreviation). Specific of this typeface is a short arch of glyph “f” that allows comfortable typesetting without ligatures obligation. In character set are besides classical ligatures discretionary ligatures for special occasions. Another surprising element is that all vertical strokes are slightly expanded upwards. These details become invisible in small text but in larger sizes impressed the eye and fix attention to headline. For traditional text feeling are here alternative glyphs “a, c, f, j, k, r, y, K, R” terminated with typical serif. Typeface is graded by optical size into 3 variants - caption (robust structure with low contrast, suitable for size 6 - 9 pt), text (medium contrast, suitable for ordinary text about 10 pt) and display (high contrast and subtle details for 20 pt and higher). Every variant has 5 weights (light, regular, medium, bold and black) with italics. Typeface is with their naked cold expression suitable for neutral text without emotional feelings. In contrast with most antique typefaces this is intended for modern glossy white paper where crisp details can excelled. Every font contains 1140 glyphs, between them original small capitals, various digits, fractions, indexes, matematical symbols, arrows, borders and many alternative glyphs.
#10: Arquitecta Standard™
Burford is a font family that I sketched while traveling through Europe. I was mesmerized by all the unique typography that was showcased throughout the five countries I visited. Inspired by all that I had seen, I found myself spending 4-5 hours per day in Amsterdam’s Vondel Park drawing characters. Once back in the states I digitalized Burford, deciding it would make for a beautiful layer-based font.
Conifer is a blocky geometric sans serif font that adheres to strict grid rules in order to define its corner angles. Its seemingly rigid form is tempered by the soft, rounded corners, and fine notched details present at acute angles in the glyphs. Available in a clean solid and a varied, textured rough. The result is a rugged, retro, typeface that is at home in fashion lookbooks and wood-carved park signage alike.
Nephrite is a clean and soft family of 14 styles, 7 weights and italics.
Recommended for text, magazine, book, logo and brandings.
Scripta is a family of typefaces that leads “Scripta Pro”, a commercial script writing similar to those used in ads advertising the decades 40 and 50, with fine lettering combinations of that time, Scripta Pro is ideal for composing headlines and subheads and this is supplied in two weights. This system is complemented by a Roman Sans “Scripta Gothic” an artdeco style typeface to harmonize with the style of that fonts. To add style to set fonts, created “Scripta Icons”, one dingbats font based on a series of graphs that help recreate the ornamental fantasies of a postwar generation, a society in transition between the classical world and ornament and promises of a cosmic and atomic world. For those wishing to use words made was created “Scripta Catchwords”. “Scripta Pro” is a script typeface inspired by the style works of the american typeface designer LH Copeland.
#22: Wanderlust Letters
#26: Modernica Standard
#28: Decima Pro
#29: My Write Hand BF™
To design the font Erazm, I was inspired by books from the 30’s from Poland. From a few letters I created an entire typeface - lower and uppercase characters.
Berenjena is a captivating font family designed by type designer Javier Quintana Godoy in Santiago de Chile.
With its soft and triangular serifs and its round shapes, Ilya FY is a friendly and gentle display font. Its tall ascendants and descendants, single storey a, generous uppercases and other nice details give Ilya FY a singular look if you need a fresh and original typographic friend for your posters, signage, headlines and logotypes.
#36: Espresso Beans
#37: Spry Roman
Handmade, expressive, lively, organic—
…words typically used to describe a script font or a casual sans. Spry Roman opens up new possibilities. It’s origin is handwritten letters created using a pointed nib on slightly toothy paper. While based on a Roman form, the letters are designed to break out of the mold and dance along the baseline.
Alipe Script is a new script typefaces family. Alipe Script family has light, medium and bold fonts, all with ligatures, alternates and a set of ornaments. It can be used for text as well as for titling applications.
#43: Yefimov Serif
#45: Tita Script
Tita is for my grandmother Hebe. Arrabalera, impertinent. It refers to letters of milonga, which have become the lettering Buenos Aires. He imagines in Paris at the Moulin Rouge. On. Funny. Amorosa. Evokes Tita Merello, and my grandmother singing. Argentina to the core. To say shot and caramel ... passionately !. Her curves play with the polyrhythm of gestural calligraphy that my teacher taught me, Silvia Cordero Vega. Script Tita Tita now, because it’s pedigree.
Begum is a Latin display serif typeface with contrast. With an ultra-contemporary appearance, its characters share DNA with classic Anglo-Dutch types like Caslon, Fleischmann or Times. The family shines in shorter-length texts, multi-line article introductions, and even on packaging. Begum is part of a larger family that supports also Devanagari and Tamil scripts.