#11: Peaches And Cream™
Core Sans A Family from S-Core is a modern sans-serif typeface that is clean, simple and highly readable. It is a part of the Core Sans Series (Core Sans N SC, Core Sans N, Core Sans NR, Core Sans M and Core Sans G. Letters in this type family are designed with genuine neo-grotesque and neutral shapes without any decorative distractions. The spaces between individual letter forms are precisely adjusted to create the perfect typesetting.
Core Sans A family consists of 8 weights (Thin, Extra Light, Light, Regular, Medium, Bold, Extra Bold, Heavy) with their corresponding italics.
Core Sans A contains complete Basic Latin, Cyrillic, Central European, Turkish, Baltic character sets. Each font includes proportional figures, tabular figures, numerators, denominators, superscript, scientific inferiors, subscript, fractions and case features.
We highly recommend it for use in books, web pages, screen displays, and so on.
#21: Felt Noisy
#23: True North
Say g'day to Ainslie Sans, insigne Design’s new typeface. Like its big brother, the new face incorporates a mix of influences from Oz, although Sans is pared down from the original semi-serif.
Finlek is a handmade typeface with subtle script characteristics. It draws inspiration from two 80s postmodern movements Memphis in Italy and Industrial Post-Punk in England. Contemporary approach to design carries the font into the twenty first century. Finlek was made to satisfy unconventional creativity, irrationality and a hunger for liberation from the dry rationalism. The font is a character with a dark side. It is a mischievous daredevil with style and free spirit, a misfit with an attitude. Finlek was designed to make a statement and stand out of the crowd. Details include 442 characters, manually edited kerning and Opentype features.
Inspired by a few letters in a hand-drawn logotype, Swashington is a serif font with both an early 20th Century feel and yet is evocative of the swash fonts of the 1970s as well. The real meat of this typeface comes with using all the swash and ligature variants allowing for an enormous amount of typographic flair. Starting with the original logo, Jason Walcott was moved to develop these interesting letterforms into a full typeface with all the swashy might he could muster. In addition to a comprehensive set of Swash and Alternate letters, there are also over 270 Discretionary Ligatures that can be used to create different possibilities by mixing and matching. Included with the downloaded fonts are two .pdf files showing all the swashes and ligatures, that can be printed and used for easy reference. All of the alternates are available via the Glyph Palette or with OpenType features. The font includes support for all Latin based and Eastern European languages.
Here comes the wide versions!
After Marianina FY (Normal and Condensed) discover Marianina Wide a new big sans-serif family of 24 fonts. With its very particular inktrapes, subtle in light versions and more visible in the black ones, each roman (wide and x-wide) has 6 weights and also exists in italic. Marianina is a perfect contemporary font family for small and big text sizes.
Andes Rounded, designed by Daniel Hernández, is a display typeface that has neo-humanist characteristics. Its different terminals, among other elements, give it a look of mixed typography.
Andes is a typeface with 10 Upright weights, 10 Italics & Condensed versions, ranging from Ultra Light to Black, each of the same x-height. This typeface contains additional italic glyphs (a, y, z, g) that help to emphasise text or words. Andes is based on the design of Merced and both of them share several features.
This type is well-suited for use in retail, magazines, logotypes, books, etc.
#46: dearJoe 6
Emblema is an evocative font that remains Art Deco style from early decades of the 20th Century. Its geometric shapes gives a clean and modern look to the designs where it is applied. Emblema was designed in 12 near but different weights and is ideal to fit the same weight in a single piece using different point sizes. Open Type users could acces to extensive set of alternative and ornamental characters including 3 different size sets of caps, so versatility is the most important advantage you can take using this font family.