The Intro font family consists of 26 unique font styles and weights. The family is characterized by excellent legibility both in print and on the web, a well-finished geometric design, optimized kerning, etc. Intro is most suitable for headlines of all sizes, but it does well in a variety of text lengths as well. The font’s various styles give it the versatility necessary to meet any type of graphic design challenge — web, print, motion graphics, etc. — and make it perfect for t-shirts, posters, and logos.

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Aire is what Sproviero would call a < big display family >. We recommend seeing its user’s guide.

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Hannes von Döhren created Love Potion. Three fonts (Regular/Bold/Ornaments) that include extravagant Ligatures, Swash Letters, Catchwords, Arrows, Borders and other little specials. The hand drawn serif type family is intended to be used in applications like: Food, Clothes, Living, Wedding stationery or basically everywhere where love is in the air…

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The intention was to make a technical looking sans with a warmer feel to it, balanced between hard geometric shapes and friendly curves with slightly narrower endings. It should be useful in a wide range of tasks, whether combining the six weights with distinct Italics for editorial design, setting multiple pages of text, making financial reports, or using the highly contrasted lights and blacks for display and packaging design.

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Jacques & Gilles is the most interesting hand-lettered font yet - due to its split personality. This font is relatively small compared to other Emily Lime fonts. And yet it packs a punch!

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Slim Tony is a delicious script font. Tony is a distant relative of Mishka but much bolder and more extravagant. Slim Tony works superbly  for custom headlines and logotypes. Turn on Swash, Stylistic or Contextual Alternates for some serious extra kick. Activate small caps for clear capital letters designed to work perfectly with the script. Slim Tony’s ornaments is a set of over one hundred swooshes, swashes, ornaments and pictograms.

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I am a child of the Seventies. I grew up rocking the rainbow striped bellbottoms, decorating my room with posters of Unicorns and watching ‘The Electric Company’. Funkydori is my nod to the groovy and far out days of this decade.

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One design sparks another. As Alejandro Paul experimented with the strokes and curves of the monoline script Business Penmanship, he discovered interesting new forms and shapes that didn't fit the Spencerian theme of that typeface. These forms simmered in Ale’s subconscious over the next three years, during which time he visited New York City, pored over rare type specimen books in the New York Public Library, and explored Brooklyn’s neighborhoods.

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Say hi to Tikal Sans; A bloody Mayan ritual with no reading sacrifice. Is a glyphic family of twenty weights Mayan inspired designed for Text and Display sizes. The Details curved terminating strokes ended in sharp edges inspired in the ‘virgula’ Mayan glyph that means ‘the spoken word’. Tikal is also known for being the largest city of the Mayan Classic Period and his name means “Lugar de Las Voces” (place of voices). With a contemporary large x-height with opentype contextual alternate letters offers a functional look with a friendly touch. The Thin and Black weights are great performers in display sizes the light, regular and medium weights are well suited to longer texts.

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Vulpa is a charming serif family in regular, italic and bold, informed by the proportions of a personal favorite, Plantin. The quirky foxtail terminals (inspired in part by my script font, Gelato Script) can be seen across all three styles. These little details make the typeface very expressive at display sizes, but practically disappear at text sizes, making for a very versatile face.

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Foro was designed in 2012 to be a slab serif with an appealing flow, warm, and less harsh than many slab serifs. It evinces an attachment to humanistic shapes, models and proportions. Foro’s demonstrated strength renders it excellent for texts, and its clear and distinct details are an advantage in display sizes.

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Say hello to the new Magallanes Family, designed by Daniel Hernández, a contemporary neo humanist sans serif font. Its strokes and terminals are related to the calligraphic strokes from humanist typefaces. It comes with 8 styles, from Ultra Light to Black, each with its true italics. Every weight comes with alternative glyphs for a more dynamic use. Magallanes is the perfect titling font to complement text faces in magazines, logotypes, etc.

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Ciutadella was originally commissioned by Mario Eskenazi’s studio. It is a versatile geometric sans serif, a simple, clean and direct family. Its power resides in an overhaul simplicity that reflects an “open” personality, easily suitable to be used across a wide range of applications, from identity systems to publications. Although it has been conceived to be used as a display typeface, it performs well in intermediate length texts mostly because of some specific characteristics such as the alternate two-story ‘a’. It is available in Open Type format and includes Alternate Characters, Ligatures, Tabular Figures, Fractions, Numerators, Denominators, Superiors and Inferiors. It supports Central and Eastern European languages. 

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KatieRose was designed by a calligrapher to have an elegant, handwritten feel, without the fussiness of traditional calligraphic scripts. Its fine hairlines and sculptural downstrokes are easily read at display and smaller sizes alike.

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Rama Slab is an antiqued slab serif designed inspired by 1800s-style wood type.

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Bulo (hoax in catalan) is a Sanserif font that offers a straightforward design. The construction of characters combines a mechanical force with a little humanist fragrance, specially in lowercases and italics.

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Taluhla is lovely handwritten font with a matching set of borders, banners and ornaments. It is unique, elegant and easy to read. Taluhla has 3 different weights (light, regular and bold). It can be best used for invitations, greeting cards, posters, advertising, film, weddings, books, menus and anytime you would like to express yourself kindly.

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Bergamot was inspired by vintage apothecary labels, but this font is actually quite modern in both style and effects.

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Humanist meets handwriting. Blancmange is a fun and informal face with brushy alternates for the flair when you need it. Swash mannerisms blend with structured letter shapes to give a range of personality. Includes all the requisite OpenType goodies in two weights.

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A precision cut slab serif typeface. Simple curves are combined with sharp angles to provide a readable font with subtle characteristics.

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Winco family can be labelled a humanist sans-serif, but in spirit it is more closely related to that rather rare typeface category called ‘glyphic’ or ‘incise’.

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Shoebop is a playful, rhythmic brush script with a delightful retro flair. Its joyful presence is ideal for web and print headlines, posters, signage, logos, and greeting cards.

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Lirio is a decorative and expressive typeface, it’s elegant yet eccentrically handwritten font.

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Since I have my new logotype people are asking me about the typeface it is based on. But it did not exist and I did not believe that it would actually work. I still love my logotype and so I went on to try to make it work as a font. After many different versions and some doubts I am glad to present Jocham. It is the first typeface with my name. For an obvious reason. There is only one weight with an italic. I tried different weight, but they were all not as strong as the final.

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TYPONIL Font Family includes eight fonts in four weights; normal and italic. The font family is characterized by its rounded corners, soft views thanks to its optimized kernings, esthetical design and great legibility in both big and small type size.

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Rather Jazzy, Rather Loud: a family of two quite distinct fonts that perform together handsomely well.
Both fonts include 2 versions for each letter, easily reachable through keyboard upper and lower keys. They also come packed with Contextual Alternates functionality to instantly cycle the alternates, providing a realistic handcrafted feel: just turn on the feature in any OpenType savvy application and let the music sound.

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Vow Neue is the highly anticipated follow up to the original 2010 (MyFonts Rising Star) Vow release. In order to improve on the original design we've done a manner of things with Vow Neue. First of all you'll notice it’s slightly thicker which means it’s more legible at smaller sizes and on the web. Along with the thickness we've also produced a range of alternate characters featured here in the uppercase slots of the font. These alternate characters have a more standard look and feel and give you the ability to use the ‘funky’ characters whenever you choose, rather than forcing you to use them as the original did. The new standardized characters include A, B, E, F, J, K, L, M, N, P, R, S, W, and Z.

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Bodonian Script is a set of seven fonts that can be mixed with each other freely. Number 1 is the most true to Bodoni. Number 2, 3, 4 and 6 have different capital letterforms. Number 5 is like 4 but with elaborate swashes. Number 7 has underlining swash-capitals and lowercase end-letters. The fonts can also be mixed with my »Bodoni Classic« fonts!

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Cillop is a common word in Turkish spoken language that means good, perfect, great and also smooth. Like its several meanings, Cillop Font Family has several characteristics. It has good, cute, different and smooth design. To increase the font’s legibility, the heads and the ends of the small tailed letters as l,p,t etc. were beveled. The font family characterized by its manual kerning and it is multilingual.

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Chipa has all the advantages of OpenType technology that allows a variety of combinations: Swashes, old style numerals, standard ligatures, contextual alternates, discretional ligatures, word ending and tails.
These fonts were specially designed for creating logotypes and packaging design, can also be used in advertising, flyers and posters, for its good legibility and accurate kerning.

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KC Fonts would like to present it’s latest creation: Pewter. Pewter is a three weight font (including italics) with four grungy family members (also with italics) for a total of 14 OpenType/TrueType fonts. The Pewter family allows you to freely mix and match between the weights and the grunge variants as it’s not just the same erosion over and over. The Original Trio: Regular, Bold & Black - they're perfect for your more front page useage and anywhere you need a more traditional look. The Grunge Family: each is different from one another - There is Corroded for the caked on dirty look, Scuffed for a mild abrasion with a worn and washed feel, Stamped for printing press & your rubber stamp effect and Trashed for a destroyed - but not over the top - look to your work. It looks great in all cases: UPPERCASE, lowercase, Title Case & MiXeDcAsE, whether it’s printed LARGE or small it will look great!

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Aderyn is a hand drawn, elegant font with a light touch to it. Aderyn is soft and sleek, but also comes in bolder styles to give a little extra oomph to your designs.

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Yummo is a geometric and somewhat condensed sans serif type family that can be used in wide range of applications. The minimal glyphs that had been shaped superbly will give modern and contemporary impressions.

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Knud V. Engelhardt (1882–1931) was an architect, printer and designer from the country of our laid back neighbors, Denmark. Knud’s characteristic letter forms have already made a strong impression on some modern typefaces. Most notably is probably Skilt Gothic by a fellow Swedish compatriot, where Knuds way of trimming the diagonal stems is one of the spices used to give the typeface its character.

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Sintesi Sans.
Sans meets serif.

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Mrs Green is a great typeface for short texts, invitations, headlines, logotypes and advertising. We’ve started with a heavy capital G and A. At the beginning it was supposed to be just one fat style (still our favorite). But after a few months we’ve ended up with a family of 20 styles.

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Let visions of Sugarplum dance in your head with its playful carefree spirit! Use Sugarplum when you want to be nice or Sugarplum Sweet when you want something more sassy and bold! Both fonts feature a full range of alternate letterforms and automatic ligatures available in dynamic OpenType.

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Pimpernel is a tall and narrow typeface. It was handwritten on course paper to create a certain roughness, yet it retains an elegant feel. Pimpernel comes in 6 great styles, all of which will add that little extra oomph to your designs.

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Dans Le Jardin is a continuation of Dan Le Cuisine dingbat. Their wild and crazy curves give a very special vintage language. Can be used to create patterns or compositions for posters,websites, etc..

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Wave™ is a pattern font consisting of 52 illustrations of dynamic wave arrangements which were inspired by Kapitza’s ongoing fascination with irregular arrangements and shapes found in nature and in man-made structures.

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‘Krul’ is a typographic interpretation of the lettering style created by Dutch letter painter Jan Willem Joseph Visser at the end of the 1940s, which decorated the traditional brown bars of Amsterdam. In the beginning, these letters were strongly associated with the pubs connected to the Amstel brewery, given that Visser was the company’s official painter. As the years passed, the style became increasingly popular, and various business owners in Amsterdam and other Dutch and Belgian cities also commissioned its use. In the 1970s and 1980s, Leo Beukeboom, another talented letter painter, continued and expanded this lettering tradition while employed under the Heineken brand. Much of his work can still be found in the Jordaan and De Pijp neighborhoods in Amsterdam.

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Centura Round is a hand-drawn, sans serif font inspired by geometric types from the first half of the 20th century like Futura and Twentieth Century.

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Borba is light, fresh and friendly at first glace. It’s simple, modern and elegant due to its monoline and minimalistic form.

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Formosa is the old, colonial name for Taiwan. Formosa means beautiful in Portuguese and I think this handwritten typeface has a certain beauty itself. It comes in three styles, all of which make extensive use of ligatures, to give the font an authentic, handwritten feel. Like most of my fonts, Formosa comes with Babylonian language support.

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Steadfast and no-nonsense, Heron is always ready to go to work. It began with a Joe Heroun commission for Men’s Health inspired by industrial, machine-made letters. Unlike other type with mechanical influences, Heron is a refined, versatile family, capable of doing the job in both headlines and small text. Heron Serif and Sans are born of hard iron and steel, but galvanized with Cyrus Highsmith’s warmth and energy.

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Samo Sans is a modern sans-serif typeface with low contrast strokes and is balanced between technical shapes and dynamic feeling. The primary type family is consisted of complete set of Latin glyphs for lower and upper case. It also supports diacritics of all European languages including lining numerals, standard ligatures and other characters sufficient for regular typesetting. Characteristic features are lower spurs (a, b, d, u), and upper spurs (m, n, p, q, r) with distinctive wedge-shaped cuts. These parts are complemented by homogeneously designed diacritics, which is not disturbing and harmonizing with the whole unit. Another very strong feature of the type drawing are lower terminals of the round glyphs, which are finished by moderate narrowing.

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