LTC Goudy Initials has been a best-seller since it was reformatted to font format by P22 in 2005. We decided that while it works very well at medium sizes, when it was used extra large, the outlines were not as true to Frederic Goudy’s 1917 drawings as they could be. We decided to redraw from the ground up—and here we have the NEW LTC Goudy Initials! Meticulously redrawn by Miranda Roth, these ornaments referenced original proofs of large sizes of Cloister Initials. In our quest for artwork for this project, we even arranged a quickly sold out recasting of the 120 point size and have produced a limited edition letterpress print from this casting
Remington Typewriter, whose original designer is unknown, was one of the earliest Lanston Monotype designs.
The italic was designed by Frederic Goudy in 1927. His approach was to make an unconventional typewriter form that looked well-spaced even though all letters shared the same width.
Originally designed by Frederic W. Goudy in the early 1900s for American Type Founders, Copperplate Gothic appears at first to be a sans serif, but actually has very small, fine serifs. Copperplate Gothic was originally designed for stationery and society printing, and is now used in many varieties of commercial printing. Its classic uses are business cards and lettering on the frosted-glass office doors of lawyers and private investigators. The AB and BC designators refer to the size relationship of the capitals and small capitals.
This lettering was used by the Pabst Brewing Company for their promotional materials. It was later developed into type for ATF.
Frederic Goudy later licensed Pabst Oldstyle to the Lanston Type Library.
Frederic Goudy designed this blackletter face based on Gutenberg’s 42-line Bible.
The Lombardic Caps were designed as an accompaniment to Goudy Text and are offered paired with the lower case as an alternate option.
Goudy Modern/Open was designed by Frederic Goudy, who was inspired by the caption of a French engraving. It is Goudy’s first attempt at a “modern” face, but with less contrast and rigidity normally found in Bodoni style Modern faces.
Frederic Goudy designed Hadriano in 1918 as an all-capital titling face; it has since undergone numerous transformations. Goudy, who didnt begin designing type until he was past 45 years old, was one of Americas most prolific type designers as well as an outspoken commentator on modern design philosophy. Goudys inspiration for Hadriano came from classical carved lettering that he saw in the Louvre, where he took rubbings of the letters E, P and R. He left the three letters unaltered and developed the rest of the alphabet around them.
Frederic Goudy designed Californian as a private commission for the University of California at Berkeley in 1939.
The first Commercial release was by Lanston Monotype in 1958.
Goudy Trajan Pro is based on the drawings by F.W. Goudy of his rendition of the capital letters inscribed on the Trajan column in Rome, rather than on his subsequent metal type, Trajan (Title), released in 1930. Goudy Trajan Pro includes almost 1500 glyphs in each of three weights, including: uppercase, alternates, swash caps, small caps, vertically centered small(er) caps, dozens of fleurons, and much more. Supports Latin, Cyrillic and modern Greek scripts. Many thanks to Krassen Krestev, Sergiy Tkachenko, and Adam Twardoch for their suggestions for improving the Cyrillic glyphs; and to Alex Sheldon for his suggestions for swash caps and improved OpenType features.
Bertham Pro Family (4 fonts) is a revival of Frederic W. Goudy’s Bertham typeface.