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Tomáš Brousil

Type Designer from Czech Republic.

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In-depth interview

MyFonts Creative Characters: Tomáš Brousil (August 2008)

27 font families by Tomáš Brousil

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Tabac Sans

  |  available for Desktop and Web

Albums

16 fonts from $75.00
Tabac Sans Tabac Sans

Atrament

  |  available for Desktop and Web

Albums

10 fonts from $75.00
Atrament Atrament

Katarine

  |  available for Desktop and Web

Albums

12 fonts from $75.00
Katarine Katarine

Gloriola

  |  available for Desktop and Web

Albums

14 fonts from $39.00
Gloriola Gloriola

Nudista

  |  available for Desktop and Web

Albums

10 fonts from $39.00
Nudista Nudista

Monopol

  |  available for Desktop and Web

Albums

12 fonts from $39.00
Monopol Monopol

Tabac Mono

  |  available for Desktop and Web

Albums

16 fonts from $75.00
Tabac Mono Tabac Mono

Kulturista

  |  available for Desktop and Web

Albums

10 fonts from $39.00
Kulturista Kulturista

Fishmonger

  |  available for Desktop and Web

Albums

50 fonts from $39.00
Fishmonger Fishmonger

Idealista

  |  available for Desktop and Web

Albums

10 fonts from $39.00
Idealista Idealista

Purista

  |  available for Desktop and Web

Albums

10 fonts from $39.00
Purista Purista

BistroScript

  |  available for Desktop and Web

Albums

1 font from $85.00
BistroScript BistroScript

Tabac Slab

  |  available for Desktop and Web

Albums

16 fonts from $75.00
Tabac Slab Tabac Slab

Ladislav

  |  available for Desktop and Web

Albums

13 fonts from $39.00
Ladislav Ladislav

Urban Grotesk

  |  available for Desktop and Web

Albums

13 fonts from $75.00 - some free
Urban Grotesk Urban Grotesk

Magion

  |  available for Desktop and Web

Albums

2 fonts from $85.00
Magion Magion

Orgovan

  |  available for Desktop and Web

Albums

6 fonts from $39.00
Orgovan Orgovan

Teimer Std

  |  available for Desktop and Web

Albums

8 fonts from $75.00
Teimer Std Teimer Std

Typographer and graphic designer Pavel Teimer (1935-1970) designed a modern serif roman with italics in 1967. For the drawing of Teimer he found inspiration in the types of Walbaum and Didot, rather than Bodoni. He re-evaluated these archetypes in an individual way, adjusting both height and width proportions and modifying details in the strokes, thus effectively breaking away from the historical models he used as a starting point. Teimer’s antiqua has less contrast; the overall construction of the characters is softer and more lively. The proportions of the italics are rather wide, making them stand out by their calm and measured rhythm. This was defined by the purpose of the typeface, as it was to be utilised for two-character matrices. The long serifs are a typical feature noticeable throughout the complete family of fonts. In 1967, a full set of basic glyphs, numerals and diacritics of Teimer’s antiqua was submitted to the Czechoslovak Grafotechna type foundry. However, the face was never cast.
At the beginning of 2005 we decided to rehabilitate this hidden gem of Czech typography. We used the booklet "Teimer’s antiqua - a design of modern type roman and italics", written by Jan Solpera and Kl‡ra Kv’zov‡ in 1992, as a template for digitisation. The specimen contains an elementary set of roman and italics, including numerals and ampersands. After studying the specimen, we decided to make certain adjustments to the construction of the character shapes. We slightly corrected the proportions of the typeface, cut and broadened the serifs, and slightly strengthened the hair strokes. In the upper case we made some significant changes in the end serifs of round strokes in C, G and S, and the J was redrawn from the scratch. The top diagonal arm of the K was made to connect with the vertical stem, while the tail of Q has received a more expressive tail. The stronger hairlines are yet more apparent in the lower case, which is why we needed to further intervene in the construction of the actual character shapes. The drawing of the f is new, with more tension at the top of the character, and the overall shape of the g is better balanced. We also added an ear to the j, and curves in the r have become more fluent.
To emphasise the compact character of the family, the lining numerals were thoroughly redrawn, with the finials being replaced by vertical serifs. The original character of the numerals was preserved in the new set of old-style figures.

Dederon Sans

  |  available for Desktop and Web

Albums

8 fonts from $75.00
Dederon Sans Dederon Sans

Comenia Sans

  |  available for Desktop and Web

Albums

12 fonts from $75.00
Comenia Sans Comenia Sans

Dederon Serif

  |  available for Desktop and Web

Albums

8 fonts from $75.00
Dederon Serif Dederon Serif

Botanika

  |  available for Desktop and Web

Albums

16 fonts from $39.00
Botanika Botanika

Sandwich

  |  available for Desktop and Web

Albums

1 font from $85.00
Sandwich Sandwich

Metalista

  |  available for Desktop and Web

Albums

1 free font
Metalista Metalista

Metalista is an expression of undying admiration at the persistency of the metal culture. The angular face of nearly monolinear proportions combines upper and lower case letterforms. The strengthened horizontal strokes are aimed at softening of the “gothic” feel of the face, and add to its contemporary character.

Corpulent

  |  available for Desktop and Web

Albums

1 font from $85.00
Corpulent Corpulent

RePublic

  |  available for Desktop and Web

Albums

12 fonts from $75.00
RePublic RePublic

Vafle™

  |  available for Desktop and Web

Albums

12 fonts from $39.00
Vafle™ Vafle™

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