He’s arguably the most widely read type designer in the world. Verdana, Georgia, Tahoma, Skia: all ubiquitous, all his. Miller, one of North America’s most popular news faces — his initiative. Bell Centennial, drawn for AT&T, has been used in millions of phone books. His typefaces are all across the stylistic spectrum, from elegant renaissance oldstyles via meticulous scripts to indestructible sans-serifs. Having started as an apprentice at age 19, he has been in the business for the best part of six decades and is still passionately interested in the latest technological developments. He revels in working with demanding technicians and challenging projects. Here is our long-awaited interview with Matthew Carter.
Her name does not rhyme with “bike”, but is pronounced “Ool-ree-kah” — a common girls’ name in her native Germany. Born and raised in Berlin, she studied at the University of Applied Sciences in nearby Potsdam, with a short but game-changing intermezzo in Florence, Italy. Four years ago she came to MyFonts with a collection of witty picture fonts; but it was an alphabetic typeface that gave her foundry LiebeFonts (“sweet fonts”) its first hit — LiebeErika was one of our Top Fonts of 2010. Ulrike’s skills are equal parts handicraft and digital savvy, and her fonts are as technically sophisticated as they are charming. Meet the talented Ulrike Wilhelm, in love with letterforms.
His typefaces are as varied as the places he’s lived in. Is that the reason why his foundry is called Schizotype? No, he says, the name was pure serendipity — as was the way in which his love affair with lettering and type began. He came to MyFonts as a hobbyist type designer offering a bunch of carefree and less-than-perfect fun fonts, but quickly honed his skills. He began putting out ever more sophisticated and increasingly successful typefaces, from luscious scripts to idiosyncratic yet usable text types. Meet Dave Rowland, calling from Koh Samui, Thailand.
He is one of those lettering artists who learned the craft right at the time when it was becoming obsolete. While passionate about calligraphy and sign painting, he loves working with digital design tools. He has drawn custom logos and titles for prestigious companies. He has produced a string of successful font families, of which the most recent — Desire — took him an estimated 7,000 working hours. He was a mentor to fellow lettering artists Laura Worthington and Debi Sementelli, both of whom he helped to perfect their digital skills. Meet Charles Borges de Oliveira from Borges Lettering, building bridges between hand crafts and digital savvy.
He is one of those lettering artists who learned the craft right at the time when it was becoming obsolete. While passionate about calligraphy and sign painting, he loves working with digital design tools. He has drawn custom logos and titles for prestigious companies. He has produced a string of successful font families, of which the most recent — Desire — took him an estimated 7,000 working hours. He was a mentor to fellow lettering artists Laura Worthington and Debi Sementelli, both of whom he helped to perfect their digital skills. Meet Charles Borges de Oliveira from Borges Lettering, building bridges between hand crafts and digital savvy.