Over the past year or so, we’ve seen a subtle shift in typographic tastes. While until recently the top 10 of our Hot New Fonts was dominated by witty, wild display fonts and scripts, these days there’s a more serious-looking bunch of fonts up there.
Just over a year ago, a brand new foundry appeared on MyFonts — Hoftype. In twelve months the foundry published an astounding array of useful, elegant and original text typefaces. The man behind Hoftype is Dieter Hofrichter, type designer in Oberschleißheim, near Munich in southern Germany. Hofrichter’s career as a professional type designer began in 1989 when he was hired by H. Berthold AG. In the company’s famous studio he worked with the late Günter Gerhard Lange, the most exacting taskmaster in post-war German typography. This issue of Creative Characters was co-edited with Berlin-based type designer Dan Reynolds, who asked most of the questions and transcribed the answers. Many thanks!
If the output of Japanese foundries represented on MyFonts is anything to go by, Nagoya must be the number one font city in Japan. Not only has Ray Larabie established his Typodermic foundry here; it is also home to Flat-It, one of our most prolific microfoundries specializing in lively retro and script fonts. Flat-It is run by Ryoichi Tsunekawa, who also created two specialist labels — Prop-A-Ganda and Holiday Type — to celebrate and market letterforms inspired by… well, propaganda and holidays. His taste is eclectic, his skills are remarkable, his production is huge. Meet Ryoichi Tsunekawa, architect of display fonts.