D Hanna Soft is a sans serif type family of 9 weights plus matching italics. It is inspired by the geometric style sans serif faces with a mix of rounded shapes and a little bit of black in some corners. The medium weights serve very well in body text, while the thinner and bolder styles make an excellent choice for headlines .
The Precursors. The Founders. The Engineers. Known by many names in popular culture, this colony of erudite masters from Long Before were as style-conscious as they were technically adept, and their written glyphs certainly might have resembled YWFT Whisky. A masterpiece of friendly curves and powerful graphical flair, YWFT Whisky evokes the torch-lit corridors under Giza, with plenty of pre-kerned patterns and stylistic surprises under the hood. Bold, patterned abstractions await in the bottle of this Whiskey. Neat, one cube only please.
Once again, the Brazilian type ninjas at PintassilgoPrints have slipped unseen into our mountain fortress and left behind a fierce 26-finger death punch. YWFT Duncan is the latest addition to our hand-drawn house of champions, but this one has the added value of working well in both headline and content settings. Well-suited for both short phrases and long blocks of copy, YWFT Duncan also makes for unique, jumbled combinations that create a strikingly organic effect when set. Originally a handset design, this quirky typeface is now fully empowered with appropriately glorious OpenType features, and even though playful, it still brings the serious when necessary. 354 glyphs, Contextual Alternates, two Stylistic Sets (available for use in Illustrator and InDesign), Ornaments and Ligatures.
Insomniac is a tall, narrow, handwritten typeface. A little rough, a little shaky, a little uneven. The idea for this font came to me in the middle of the night - hence the name. Insomnia is an all caps font, but upper and lower case differ and glyphs can be freely interchanged. Comes with a diacritics dream team.
Amster is an energetic & refined type created by Francisco Gálvez, with a sharp idea on how elegance & legibility can meet harmoniously. Amster can build a text that is highly readable as well as friendly. It has five weights of roman & cursive both with smallcaps and fully-equipped with all OT sorts and even a wonderful set of illuminated initials. Amster is a very versatile typeface, allowing for a wide range of uses: screen to print, small text to display, science to poetry. Amster speaks more then 200 languages.
You can read more about how to use this font and how it works here.
Wanderlust letters is a beautiful hand painted script that comes with a set of extras. All letters have been carefully painted giving your words a wonderful flow. Wanderlust can be used for fashion, apparel, stationery, magazines, film, books and marketing.
A hand-drawn shadowed and textured display sans. Strong and stylish, definitely. Two glyphs per letter for a nice natural feel.
And let’s not forget to remark the hi-versatile solo versions. These fit many design applications, with the amazing ability of looking slightly serious or slightly fun. But always genuine, you bet!
One of the most ubiquitous typefacen owadays receives a suiting companion. Sumptuously cut “Times Now” brings a rainbow of greyscale to the monitor and paper. You don't like the Times New Roman®? It’s not her fault. Now you can let your text play its melody on a neobaroque organ in all ranges fine tuning from silent to loud and all nuances in between to complete your harmony.
Metric Navy PRO is a lightweight monoline developed for short texts and loose phrases in versions: thin, light, normal, regular, bold and black.
Side A – Bauhaus-inspired
Experimental and spiky type in 3 sizes (1 - 1/2 - 1/3), designed by Benoît Bodhuin
(An ideal use could be: Side A unit in 48 pt, half in 24 pt and A third in 16 pt, then bars would have the same width and spaces between the forms would be equal, but it’s just an ideal use)
Ciutadella Rounded is not only a font with soft corners, it has a real rounded terminal across all the weights. It was a challenge to achieve a rounded effect in close counters characters, especially in the heaviest weights where there is less space available to accommodate the round ending. Suitable to be used across a wide range of applications, from identity systems to publications. It is available in Open Type format and includes Alternate Characters (‘a’, ‘t’ and ‘&’), Ligatures, Tabular Figures, Fractions, Numerators, Denominators, Superiors and Inferiors. It supports Central and Eastern European languages. The type family consists of 10 styles, 5 weights (Light, Regular, Medium, SemiBold and Bold) plus italics. Ciutadella Rounded PDF
Veotec is a classic humanist sans that skilfully works for both screen and print due to its steep and precise angles enabling more negative space. Not only does this methodical approach improve legibility and readability at small sizes, it allows the bolder weights to feel harmonised and consistent without the compromise of this legibility. Angles are refined and considered with a balance between sharp and round curves adding a unique feature to this font. This also gives a modern and appealing feel at large sizes. Details include 6 well constructed weights with a full European Character set, manually edited kerning, which is more open for on-screen devices, ligatures and alternatives.