An expanded caps-only cross-stitch font, based on a mid-20th century embroidery pattern.

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A thin, very elegant caps-only cross-stitch font, based on an embroidery pattern from the end of the 19th century.

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A thin caps-only cross-stitch font, based on a late 19th century embroidery pattern. Accented letters for Western and Central European languages are included.

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A bold condensed caps-only cross-stitch font, based on an embroidery pattern from the middle of the 20th century.

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A rounded sans-serif with even stroke thickness, based on the standard round-pen ink lettering used on technical drawings in the middle of the 20th century.

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A slightly regularized digital version of a late Baroque Fraktur type, probably from the beginning of the 18th century, issued by the Norstedts type foundry in Stockholm in 56 point size as “Sju petit fraktur nr 2”.

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Ahra from Magpie Paper Works is an upright, hand-lettered script full of fun calligraphy. This Opentype font was created with a pointed pen & ink, and features a host of special features.

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Canapé is based on the idea of letters with a subtly curved and slightly modulated line. Through this, the typeface has a warm and friendly, almost haptical appearance which brings some kind of cosiness to your communication with type. Designed and crafted with great attention to detail, the type family is usable for copy texts as well as corporate design or display purposes. Canapé (Serif) with its 4 fonts and more than 4,200 characters contains a large amount of features like small capitals, swashes, 10 different figure sets, automated fractions, ordinals, standard and discretionary ligatures, language support for Central and Western Europe and a small sofa building kit. All features are conveniently accessible through OpenType features.
For detailed information check out the elaborate type specimen brochure at ISSUU or download the PDF

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Courtney is a display font, unicase, with thick and irregular strokes. It contains a varied set of ligatures that makes Courtney a very dynamic font, ideal for short texts, magazines, logos, etc.

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Barracuda Script is a bold and vibrant brush family of three weights and matching ornament sets. Barracuda Script is packed with alternate characters, each basic letter has at least four variants to allow you create customized headlines. To activate the alternates click on Swash, Contextual, Stylistic or Titling Alternates in any OpenType savvy program or manually select the characters from Glyph Palette. Turn on Small Caps to access a complete set of capital letters designed for writing in all caps.

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Slab Happy is a layered typographic system that adds a unique twist to neutral slab serifs. By pasting layers on top of one another and altering fonts and colors, you can create infinite combinations of slabby brilliance.

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Headlined is back with a bang! This time it’s dropped the letterpress look for something a lot harder. Headlined Solid is a brand new no nonsense headline font that demands attention, and leaves a lasting impression. Headlined Solid has a worn sans-serif look and feel that differentiates it from the run of the mill headline fonts. Headlined Solid also supports a wide range of languages. So it doesn't matter whether you're setting a headline in English, Italian, or even Manx. Headlined Solid has got you covered with support for over 20 languages.

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The Swash version of Adriane Text features the best characteristics of this lineage, without losing the strong personality and elegant design featuring in your text styles, Adriane Swash brings a fancy look to this classic style. The family comes with a complete character set in Uppercase, Lowercase and Small Caps, and the Swash option can be activated through the OpenType features panel, including glyphs initial, intermediate and final, plus a wide range of stylistic ligatures, alternate glyphs, ornaments and languages.

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Hearts, and wings are both powerful symbols.The heart represents the seat of the emotions, and Wings represent movement upward, even spiritually, in the case of angel wings. These images have been drawn with a brush, some of them on rough paper, and are available as a black or white version.

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Selenic is a solid typeface with a clean look, interesting texture and quick impact. Friendly but also aggressive it is best suited for massive headlines, fashion photography, album covers, logo design or any other typographical work on digital and print.

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One of a few quirky display types by this designer.

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German type designer Felix Braden created this sans FontFont in 2012.

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Danish type designer Jan Maack created this sans FontFont in 2012.

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Clean and elegant display sans-serif uppercase family with three weights and rounded corners. Excellent for headers, posters, t-shirts and websites.

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“Oh Beautiful, for Spacious Skies, for Amber Waves of Grain”

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Language is a must,
please clean your book’s dust.

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Swiss type designer Nina Stössinger created this slab serif FontFont in 2011.

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Slovenian type designer Mitja Miklavcic created this sans FontFont in 2011.

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Calligrapher Neuland Bold is one of the calligraphic group of fonts called “21 alphabets for Calligraphers“.
All graphemes are taken from calligraphic pages written on Neuland calligraphic style.
This font is ideal for calligraphic sketches or for imitation of ancient manuscripts.
The font contains all the Latin, Cyrillic and Greek glyphs.

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British type designers Paul McNeil and Hamish Muir created this display FontFont in 2012.

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Calligrapher Fraktur Modern is one of the calligraphic group of fonts called “21 alphabets for Calligraphers“.
All graphemes are taken from calligraphic pages written on modern Gotihc Fraktur calligraphic style.
This font is ideal for calligraphic sketches or for imitation of ancient manuscripts. This font contains all the Latin glyphs.

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Calligrapher Rustic Black is one of the calligraphic group of fonts called “21 alphabets for Calligraphers“.
All graphemes are taken from calligraphic pages written on modern Rustic calligraphic style.
This font is ideal for calligraphic sketches or for imitation of ancient manuscripts. Calligrapher Rustic Black contains all the Latin glyphs.

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German type designers Axel Bertram and Andreas Frohloff created this serif FontFont in 2012.

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German type designer Thomas Marecki created this display and script FontFont in 1994.

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German type designer Siegfried Rückel created this sans FontFont in 2011.

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Quarca’s masculine power runs strong across the page with bold self-assurance and a raw energy that courses through its thick veins.

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Fair Sans Text is the natural follow-up to the popular Fair Sans - now a text family based on the calligraphic structure and casual construction of its predecessor. As the name implies, Fair Sans Text has proportions for longer text settings, strong headlines, and everything in between. Lively and casual, FST is four weights with true italics. Also included are small caps, old style and tabular numerals, and multi-language glyphs.

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Pavo is inspired by Herb Lubalin’s Avant Garde but is pushed to be what Avant Garde initially should have been: a Headline Typeface. Avant Garde was not intended to be used for copy text. This is the idea behind Pavo.

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The Unit Gothic series was released by Hamilton Manufacturing Co. in 1907. This sans serif family features one of the first multi width/weight type ‘systems’ anticipating the Univers font system by 50 years. This set of 7 fonts was designed to aid in press room efficiency and with its incremental variation in widths gave poster printers unprecedented flexibility in fitting copy while using consistently harmonious fonts. This HWT release is the first ever digital version of these fonts. Each font contains 600 glyphs including Greek and Cyrillic character sets as well as alternate characters which are based on the actual special character production patterns from the Hamilton Wood Type Museum collection.

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