About Colophon Font Family
During development of Colophon 30, the base font of the typeface family, two requirements emerged; namely that it should demonstrate good legibility and robustness when used for text composition, and where individual characters become more apparent, as in much larger sizes, these should appear well formed. Colophon 60 and 90 progressively increase in x-height to allow the counters to retain openness. The italics lean towards informality, this being apparent in the descender tails. On account of its neutrality there are few instances where the use of Colophon would be inappropriate; a quality that can also be attributed to Roy Cole's other typeface families: Lina, Zeta and Coleface.
is a trademark of Roy Cole Typography.
About Roy Cole
Roy Cole was the only British compositor to study at the Allgemeine Gewerbeschule Basel (Basel School of Design) in Switzerland, under the tutelage of Emil Ruder, the master of modern typography. In the 1950s–60s, the Gewerbeschule was host to a particularly formidable team of tutors, Robert Büchler, Kurt Hauert, Armin Hofmann, and Ruder himself, creating a typographic style that attained world recognition. This phenomenon, known as ‘Swiss Style’, became a hallmark of Cole’s practice, and continues to influence the work of many designers today. Following his studies at the Gewerbeschule, Cole worked for Birkhäuser AG, Basel; and Zollikofer & Co. AG, St Gallen, before gaining employment with a number of large design companies in the UK. In 1981 he established Cole Design Unit, designing hundreds of books and book covers for a range of prestigious publishers, museums and public libraries, including Phaidon; Oxford University Press; Royal Academy of Arts; Ashmolean Museum; and the Bodleian Library. In 2003 he formed his own type foundry, Roy Cole Typography, to develop sans serif typeface families that are notable for their strong legibility, making them particularly suitable for book design: Lina (2003); Zeta (2006); Colophon (2009); and Coleface (2012). Roy Cole maintained a life-long friendship with fellow designers – in particular Bruno Pfäffli and Adrian Frutiger (Atelier Frutiger + Pfäffli in Paris, France) and Helmut Schmid (Helmut Schmid Design in Osaka, Japan) – involving many years of correspondence, collaboration and studio visits.