{"title":"Richard Årlin","description":"Swedish punchcutter and printmaker, active in many fields in the traditional book arts including bookbinding, papermaking, engraving (copper), making woodcuts. His prints are in major Swedish museums.\n\n\nThrough his private press, \u003ca href=\"\/de\/foundry\/stigbergets\"\u003eStigbergets Stamp och Press\u003c\/a\u003e (Path Hill Stamp and Press), he prints and publishes small runs of hand-produced books using his own hand-made metal type, his own paper, his own bindings and his own engravings. Example: \u003ci\u003eLibro de Horas de Santo Domingo de Silos\u003c\/i\u003e, 1987, 45 copies.\n\n\nHe makes paper mainly for his own books; it is a 15th century gelatine surface-seized all linen rag paper. All the necessary equipment (such as a hand loom for the wire screen mesh, paper moulds and a copy of a stamping mill which died out in the 17th century) he has made himself.\n\n\nHe cut the punches for his own typefaces, Ungut and Stanislaus. He has also made a digital version of those designs called Moravus, which has been used for all advertising and posters for Ingmar Bergman’s “Maria Stuart” at Stockholm’s Royal Dramatic Theatre. He casts his metal type using a hand mould, bearding plane and dressing bench of his own manufacture.\n\n\nHe writes occasionally on travel, papermaking, and typecutting for books and magazines.\n\n\nHe plans more hand-made metal fonts in the future.","products":[],"url":"https:\/\/www.myfonts.com\/de\/collections\/richard-arlin.oembed","provider":"MyFonts","version":"1.0","type":"link"}