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Tessie Letters
by Ingrimayne Type
Individual Styles from $8.00
Complete family of 14 fonts: $29.95
Tessie Letters Font Family was
designed by
Robert Schenk and
published by
Ingrimayne Type. Tessie Letters contains
13
styles and family package options.
More about this family
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- Aa Glyphs
-
Best ValueFamily Packages
- Individual Styles
- Tech Specs
- Licensing
TessieLettersSingles
2 fontsPer style:
$5.00
Pack of 2 styles:
$10.00
TessieLettersACE
2 fontsPer style:
$5.00
Pack of 2 styles:
$10.00
Tessie Letters F
2 fontsPer style:
$5.00
Pack of 2 styles:
$10.00
About Tessie Letters Font Family
A tessellation is a shape that can be used to completely fill the plane—simple examples are isosceles triangles, squares, and hexagons. Tessellation patterns are eye-catching and visually appealing, which is the reason that they have long been popular in a variety of decorative situations, such as quilting. The TessieLetters fonts contain letter shapes that can be used to construct tessellation patterns. Each family has two styles, an outline style and a filled or black style. The black style can be used to construct colored patterns. To see how patterns can be constructed, see the files here for TessieLettersACE, TessieLettersFQ, TessieLettersGJKMN, TessieLettersLL, TessieLettersTT, TessieLettersOSZ, and TessieLettersSingles. Many or these patterns were discovered/created by the font designer during the past twenty years in the process of designing maze books, coloring books, and a book about tessellations. The TessieLetters are picture or dingbat fonts. For fonts of tessellating letter shapes that can be used for text, see the Tescellations family.
Designers: Robert Schenk
Publisher: Ingrimayne Type
Foundry: Ingrimayne Type
Design Owner: Ingrimayne Type
MyFonts debut: Dec 27, 2019
Tessie Letters
About Ingrimayne Type
IngrimayneType distributes digital typefaces designed by Robert Schenk. Robert became fascinated with type design in the late 1980s and began designing type in 1988 with an early version of Fontographer. He has designed a wide variety of typefaces, from standard text fonts to bizarre decorative faces. Many of these faces were designed to meet specific needs but others were experimental, designed as a challenge to form letters that met a narrowly-defined criteria. Areas of special strength in the IngrimayneType library include novelty fonts, picture fonts including tessellations, and fonts with alternating character sets.
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