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Psychotropic Experience

Psychotropic Experience

by Mysterylab
Individual Styles from $2.00
Complete family of 3 fonts: $16.00
Psychotropic Experience Font Family was designed by Mott Jordan and published by Mysterylab. Psychotropic Experience contains 3 styles and family package options.

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About Psychotropic Experience Font Family


Here's a unique and unusual font pack in the tradition of late 1960s psychedelic poster and album cover styles. Perfect for that flaming psychedelia vibe from the Haight-Ashbury scene in the Summer of Love era.

Combine Regular and Fill versions to create a two-toned design for a super offbeat and eye-catching look.

Once loaded on your system, the three versions of the font show in your menu as the following three "weights": Psychotropic Experience Regular, Psychotropic Experience Fill, and Psychotropic Experience Solid. The 3-alphabet collection works together seamlessly to allow you to assign one color to the body of the letter, and a second color to the inset fill areas. Just copy your text block, paste in place, reassign the font to the Fill version, choose a complimentary color, and off you go.

All caps Fonts.

Designers: Mott Jordan

Publisher: Mysterylab

Foundry: Mysterylab

Design Owner: Mysterylab

MyFonts debut: Sep 18, 2020

Psychotropic Experience

About Mysterylab

Mott Jordan studied studio art and design at U.C. Santa Cruz, and was a self-employed sign painter and later a full-time graphic artist at a local weekly. His type design career began in earnest under Ilene Strizver at International Typographic Corporation in the mid-1990s, releasing two typefaces (ITC Verkehr and ITC Hornpype). By the mid-2010s, Jordan had formed the Mysterylab Foundry and today has approximately 36 offerings that represent an eclectic mix of retro 1960s and 1970s styles, ornate Victorian and old west fonts, futurist/experimental designs, and multi-weight workhorses. He operates a graphic design business near Santa Cruz, California and continues to add new releases to his typographic range.

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