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Arthur Ritzel

Headed the letter drawing office at Stempel from World War II until his retirement in the late 1960s. He was responsible for the redrawing of Haas Neue Grotesk into Helvetica, and fully designed his own newspaper face, Rotazion.

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2 font families by Arthur Ritzel

A
80
A
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Albums

3 font styles from $35.00
Six big juicy steaks sizzled in a pan as five workmen left the quarry.

Albums

3 font styles from $35.00
Alfredo just must bring very exciting news to the plaza quickly.