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Arthur Ritzel

Headed the letter drawing office at Stempel from World War II until his retirement in the late 1960s. He was responsible for the redrawing of Haas Neue Grotesk into Helvetica, and fully designed his own newspaper face, Rotazion.

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2 font families by Arthur Ritzel

A
80
A
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Albums

3 font styles from $35.00
Was there a quorum of able whizzkids gravely exciting the jaded fish at ATypI?

Albums

3 font styles from $35.00
Six quite crazy kings vowed to abolish my pitiful jousts.