{"title":"Dihjauti","description":"\u003cp\u003e\u003cstrong\u003eDihjauti\u003c\/strong\u003e \/di:.'hjau.ti: | dee.'hyow.tee\/, predominantly based off Dwiggin's Electra with shades of Palatino and Perpetua, is modern and stately. Like its inspirers, it has broad counters and spacing, which temper it and give it warmth, making it comfortable and well-suited for longer texts. It is balanced in all aspects, from its punctuation to its reference marks and symbols. Its design takes into consideration all extra characters for languages that few fonts support, such as African and First Nation. These extra characters, such as Edh, Esh, Gamma, Ezh, Yogh, the pharyngeal fricatives, the click consonants, which have added capital versions, the glottal stops, et cetera, actually look like they belong, as opposed to being afterthoughts. The italic incorporates a touch of Arrighi. It includes all transcription systems relevant to the Latin, Cyrillic, and Greek alphabets, as well as standard Coptic, plus extra characters for Teuthonista and First Nation. It also includes, to list a few, Egyptian-styled pictographs (where applicable), APL, a plethora of mathematical symbols and arrows, and a number of alternatives in the PUA.\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eNotes: 1) The superscript characters, modifier letters, and the numerators, are all part of the superscript table. 2) The bold versions of the font have some alternative\/reversed characters; I did this because there is no difference in the math or punctuation symbols, i.e., the bold versions are not actually bold (with exceptions), which gives the font a better harmony. 3) The font uses anchors, which means that it will not align properly for linguistic use, or otherwise, without open type. 4) For those interested, Open or Libre Office can access all glyphs using: Insert \u0026gt; Special Character.\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eDihjauti includes:\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e• Latin, Greek, Cyrillic, and Coptic\u003c\/p\u003e\u003cp\u003e• Dihjauti S (Scotch) has a Scotch-styled Q\u003c\/p\u003e\u003cp\u003e• Redesigned click consonants that have accompanying uppercase versions in the PUA\u003c\/p\u003e\u003cp\u003e• Redesigned edh, Esh, Ezhes, and Yoghs\u003c\/p\u003e\u003cp\u003e• Extended punctuation. For the uppercase middle dot, use (2E31). I placed the Teuthonista double bar on (2E3F). For those unfamiliar with the “reversed” question mark (2E2E), it is used for ironic statements, and precedes the statement.\u003c\/p\u003e\u003cp\u003e• All relevant (language specific) currency symbols, including the newest additions, such as bitcoin\u003c\/p\u003e\u003cp\u003e• Fractions, as well as most math symbols, arrows, geometric shapes, and pictographs, with some alternative designs in the bold versions\u003c\/p\u003e\u003cp\u003e• Latin superscript (includes modifier letters and numerators), subscript, and denominators, which are ordered as listed\u003c\/p\u003e\u003cp\u003e• Old style numbers, which are followed by the tabular styles of both\u003c\/p\u003e\u003cp\u003e• Redesigned turned As, Alphas, short a (turned v), rams horn, small capital r, inverted small capital r, and turned w and y, which better reflect their pronunciations; these characters are used predominantly with First Nation languages.\u003c\/p\u003e\u003cp\u003e• Redesigned velar, palatal and retroflex characters; I included these if anyone may wish to use them, though they are, with a few exceptions, deprecated.\u003c\/p\u003e\u003cp\u003e• Redesigned glottal stops. Their new design resembles curved 7s, i.e., they lack the stem, which is preferred in the languages that use them, and are also set at lowercase height. If you need to use cased versions, those are (0241 \u0026amp; 0242), and (01B8 \u0026amp; 01B9) for the voiced pharyngeal fricatives, i.e., the reversed Ezhes, which originally represented these sounds anyway.\u003c\/p\u003e\u003cp\u003e• IPA, NAPA, UPA, \u0026amp; Teuthonista (Combing Diacritical Marks Extended, Latin Extended-E, plus extras in the PUA [E6C4 – E6D5])\u003c\/p\u003e\u003cp\u003e• SIL additions, which start at F1A1: 1) Additional modifier\/superscript letters; 2) Nine-step tone markers for African orthographies (F1F1 – F1F9); 3) Retroflex D with hook (F20D), counterpart to (1D91); and, 4) a \u0026amp; A for Kaolib (F247 \u0026amp; F248).\u003c\/p\u003e\u003cp\u003e• Small mathematical operators that correlate with vector or cross product (2A2F), plus fullwidth mathematical operators that correlate with multiplication X (2715). See below for information.\u003c\/p\u003e\u003cp\u003e• Extra script, fraktur and double-struck letters, as well as raised MC, MD, MR, and more pictographs.\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eThese are my additions, which are mostly in the PUA:\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e• (20E7), the combining annuity symbol, is meant to attach to ‘a’, and be used with subscript letters.\u003c\/p\u003e\u003cp\u003e• (221B), cube root, is a negative-spaced radical for use with superscript\/modifier letters, numbers, et cetera. Type a letter\/number, then 221B. \u003c\/p\u003e\u003cp\u003e• Alternative forms for Product and Co-Product that harmonize with the standard Increment and Nabla. These are in the bold version, located on the square cap and cup.\u003c\/p\u003e\u003cp\u003e• Alternative horizontal line extension (23AF); the Book version is for rightwards arrows, while the Bold version is for leftwards arrows.\u003c\/p\u003e\u003cp\u003e• Concerning the enclosed alphanumerics: The bold version has Mayan numbers, which are: 1 – 5, plus 8 (space), and 11 – 15, plus 18 (space); these are the initial numbers. The secondary, or right half circles, are: 1 – 7, plus 10, and 11 – 17, plus 20, with 10 and 20 being zero. The 8\/18 space is for writing larger numbers, e.g., twenty would be 1-8-10, or 11-18-20 for black. Twenty-two would be 1-8-2, et cetera.\u003c\/p\u003e\u003cp\u003e• Alternative form for (2A00), or n-ary circled dot operator, which is in the bold version; this character is part of the set of enclosed black dots\/circles that get progressively larger: 2299, 2A00, 29BF, 1F78A, 25C9. White circles: 229A, 29BE, 25CE.\u003c\/p\u003e\u003cp\u003e• (A72E \u0026amp; A72F) can be used for whatever, such as an alternative for Latin letter Kra.\u003c\/p\u003e\u003cp\u003e• Latin small letter um (A778) is designed to combine with either i, for German usage, or u, for Latin.\u003c\/p\u003e\u003cp\u003e• (A7A0 - A7A9) have been redesigned with a horizontal bar, to be used with other characters that have this feature.\u003c\/p\u003e\u003cp\u003e• Latin Yeris (0184 \u0026amp; 0185), i.e., the Latin tone six letters. This letter, used with Janalif, is the equivalent of Latin letter dotless I.\u003c\/p\u003e\u003cp\u003e• Alternative diacritical marks replacing the deprecated grave and acute tones (0340 \u0026amp; 0341). These are the Saurashtra candrabindu (used in India), and a combined caron and comma above for First Nation languages.\u003c\/p\u003e\u003cp\u003e• Triple diacritic marks, which anchor to the center character: circumflex (1AFC), inverted breve (1AFD), breve below (1AFE), tilde below (1AFF)\u003c\/p\u003e\u003cp\u003e• Circled Logical And and Logical Or, which are in the bold version\u003c\/p\u003e\u003cp\u003e• Mathematical exclamation mark (2757), i.e., the heavy exclamation mark\u003c\/p\u003e\u003cp\u003e• Question, exclamation, and interrobang marks with commas (E000-E002); type a comma followed by an exclamation mark, question mark, or interrobang.\u003c\/p\u003e\u003cp\u003e• Bilabial trill B (E0E7), counterpart to the SIL addition (F2D6)\u003c\/p\u003e\u003cp\u003e• Alternative B with hook (E0E9)\u003c\/p\u003e\u003cp\u003e• Alternative Bveida (Beta, Ve, Vida) for use with Coptic, Cyrillic, and Greek (E0E8)\u003c\/p\u003e\u003cp\u003e• Alternative stroked B\/b (A796 \u0026amp; A797) — B with flourish\u003c\/p\u003e\u003cp\u003e• Alternative Cyrillic be (E0F2)\u003c\/p\u003e\u003cp\u003e• Additional barred digraphs for use with th (1D7A): (E117, E132, E570, E6A9)\u003c\/p\u003e\u003cp\u003e• Alternative c with palatal hook (E118)\u003c\/p\u003e\u003cp\u003e• Alternative stroked D\/d (E11F \u0026amp; E131)\u003c\/p\u003e\u003cp\u003e• Dl\/dl for First Nation (2144 \u0026amp; 028E)\u003c\/p\u003e\u003cp\u003e• Alternative D with hook (E124)\u003c\/p\u003e\u003cp\u003e• Alternative retroflex D (F20D) with hook (E125)\u003c\/p\u003e\u003cp\u003e• Barred E\/e (E164 \u0026amp; E1AB)\u003c\/p\u003e\u003cp\u003e• Open E variant (E179); turned open E is (2108)\u003c\/p\u003e\u003cp\u003e• Open e variant for Teuthonista (E1C0); turned open e is (0258)\u003c\/p\u003e\u003cp\u003e• Alternative hooked g (E261) — linguistic use.\u003c\/p\u003e\u003cp\u003e• Teuthonista g with stroked tail (E262)\u003c\/p\u003e\u003cp\u003e• H with line below (E282), counterpart to (1E96)\u003c\/p\u003e\u003cp\u003e• Alternative barred H (E285)\u003c\/p\u003e\u003cp\u003e• Alternative H with hook (E286)\u003c\/p\u003e\u003cp\u003e• Alternative Cyrillic shhas (E28F \u0026amp; E290)\u003c\/p\u003e\u003cp\u003e• Slashed I\/i (E293 \u0026amp; E2CA)\u003c\/p\u003e\u003cp\u003e• Cyrillic short I\/i with tail (E2C8 \u0026amp; E301)\u003c\/p\u003e\u003cp\u003e• Long i (E2CB), counterpart to (A7FE)\u003c\/p\u003e\u003cp\u003e• Teuthonista stroked i (E32B); combining stroked form\u003c\/p\u003e\u003cp\u003e• Teuthonista stroked j (E365); combining stroked form\u003c\/p\u003e\u003cp\u003e• Alternative K with hook (E36E)\u003c\/p\u003e\u003cp\u003e• Alternative Welsh Ll\/ll (E388 \u0026amp; E39A) — This form is the more common design.\u003c\/p\u003e\u003cp\u003e• m and n with curled legs for Lithuanian (E3C4 \u0026amp; E3E5)\u003c\/p\u003e\u003cp\u003e• Alternative retroflex N (E3EB)\u003c\/p\u003e\u003cp\u003e• Alternative Eng (E3FF); (A790 \u0026amp; A791) are also alternative Engs, originally used with Janalif.\u003c\/p\u003e\u003cp\u003e• Alternative Greek Omegas (E44A \u0026amp; E44B)\u003c\/p\u003e\u003cp\u003e• Greek OU\/ou ligature (E44C \u0026amp; E488)\u003c\/p\u003e\u003cp\u003e• Teuthonista stroked o (E4A4); combining stroked from\u003c\/p\u003e\u003cp\u003e• Alternative P\/p with hook (E521 \u0026amp; E52C)\u003c\/p\u003e\u003cp\u003e• Alternative Latin Q or Cyrillic Qa (E537)\u003c\/p\u003e\u003cp\u003e• Retroflex R (E54E), counterpart to (027B)\u003c\/p\u003e\u003cp\u003e• Alternative small capital r (E55A); small Yr\u003c\/p\u003e\u003cp\u003e• Alternative esh (E56E)\u003c\/p\u003e\u003cp\u003e• T with diaeresis (E572), counterpart to (1E97)\u003c\/p\u003e\u003cp\u003e• T\/t with palatal hook (E575 \u0026amp; E582). This is an alternate for Saanich (Senchothen) J, and also a possible glyph for tsh\/tch\/ch\/ et cetera.\u003c\/p\u003e\u003cp\u003e• Tl\/tl for First Nation (01BB [Latin letter Two with stroke] \u0026amp; 019B)\u003c\/p\u003e\u003cp\u003e• Alternative Thetas for African or First Nation (E578 \u0026amp; E579)\u003c\/p\u003e\u003cp\u003e• Alternative Thorn (E57A); in my opinion, this form better harmonizes with the rest of the capitals.\u003c\/p\u003e\u003cp\u003e• Alternative T with hook (E57B)\u003c\/p\u003e\u003cp\u003e• Cyrillic Che\/che with tail (E57C \u0026amp; E583)\u003c\/p\u003e\u003cp\u003e• Alternative Cyrillic Tshe (E57D)\u003c\/p\u003e\u003cp\u003e• Capital U with curl (E5ED), counterpart to (AB52)\u003c\/p\u003e\u003cp\u003e• Teuthonista stroked u (E606); combining stroked form\u003c\/p\u003e\u003cp\u003e• Alternative V\/v with hook (E641 \u0026amp; E64B)\u003c\/p\u003e\u003cp\u003e• V with right hook (E642), counterpart to (2C71)\u003c\/p\u003e\u003cp\u003e• W with ring above (E653), counterpart to (1E98)\u003c\/p\u003e\u003cp\u003e• Y with ring above (E67A), counterpart to (1E99)\u003c\/p\u003e\u003cp\u003e• Y\/y with ogonek (E67D \u0026amp; E68C)\u003c\/p\u003e\u003cp\u003e• Alternative turned H\/h (E683 \u0026amp; E692); i.e., (A78D \u0026amp; 0265) or the equivalent of ÿ. I took the liberty of literally adding a tail to 'u', which is how the character evolved from Medieval Latin.\u003c\/p\u003e\u003cp\u003e• Alternative Cyrillic Yu\/yu (E684 \u0026amp; E693)\u003c\/p\u003e\u003cp\u003e• z with palatal hook — for dialectological use (E6A8)\u003c\/p\u003e\u003cp\u003e• Capital click consonants (E6AE – E6B2)\u003c\/p\u003e\u003cp\u003e• Capital form of combining horn (E6B5), counterpart to (031B)\u003c\/p\u003e\u003cp\u003e• Extra rhoticization (E6B6)\u003c\/p\u003e\u003cp\u003e• Tonal glyphs (E6B8 – E6BF)\u003c\/p\u003e\u003cp\u003e• Extra characters for Teuthonista (E6C4 – E6D5): superscript\/modifier letter combining diaeresis (E6D1); combining dotless i (E6D2), small double parenthses (E6D4 \u0026amp; E6D5)\u003c\/p\u003e\u003cp\u003e• Modifier letter Theta for First Nation languages (E733)\u003c\/p\u003e\u003cp\u003e• Alternative drachma (E7B8), mil (E7B9), pfennig (E7BA), and Nordic sign (E7BB)\u003c\/p\u003e\u003cp\u003e• Additional combining forms for Medieval Latin (E7BC – for use with f and ſ), (E7BD – for use with i, k, u, . . .), (E7BE \u0026amp; E7BF) flourishes for B\/b and P\/p.\u003c\/p\u003e\u003cp\u003e• Alternative ampersands (E7C5 \u0026amp; E7C6)\u003c\/p\u003e\u003cp\u003e• Alternative pilcrow\/paragraph (E7C7)\u003c\/p\u003e\u003cp\u003e• Additional characters for drafting (E7C8 - E7CB), which are in the book version.\u003c\/p\u003e\u003cp\u003e• Alternative house (E7CC); this style is a typical Egyptian house, i.e., this is an image, whereas the original is the hieroglyph.\u003c\/p\u003e\u003cp\u003e• Alternative erase to the right for APL (E7CD)\u003c\/p\u003e\u003cp\u003e• Mathematical double vertical bar (E7CE); book version.\u003c\/p\u003e\u003cp\u003e• Alternative “sun” — white sun with rays (263C), or compass (E7CF); the bold version has an alternative compass.\u003c\/p\u003e\u003cp\u003e• Chinantec alternatives for spacing modifier letters (E7D0 – E7D3)\u003c\/p\u003e\u003cp\u003e• Combining double breve, macron, tilde, inverted breve, circumflex, and ni for capitals (E7D4 – E7D9)\u003c\/p\u003e\u003cp\u003e• Combining “def” and question mark for math (E7DB \u0026amp; E7DC); book version.\u003c\/p\u003e\u003cp\u003e• Alternative daggers for math (E7DD \u0026amp; E7DE); these characters correlate with (2BD2), which is the triple dagger, i.e., the \"group mark\".\u003c\/p\u003e\u003cp\u003e• Combining overline for use with long division (E7DF)\u003c\/p\u003e\u003cp\u003e• Reversed summations (E7E2 \u0026amp; E7E3); book and bold versions.\u003c\/p\u003e\u003cp\u003e• Alternative Gradient\/Nabla (E7E4)\u003c\/p\u003e\u003cp\u003e• Alternative\/reversed radical (E7E5)\u003c\/p\u003e\u003cp\u003e• Merged product and co-product (E7E6); type product, then co-product\u003c\/p\u003e\u003cp\u003e• Large combining glyphs (E7E7 – E7E9)\u003c\/p\u003e\u003cp\u003e• Extended Cyrillic vzmets \u0026amp; titlos (E84A – E84E). The triple titlo anchors to the center character.\u003c\/p\u003e\u003cp\u003e• Alternative combining Cyrillic letters (E84F [be in Book], E850 – E853 [Italic])\u003c\/p\u003e\u003cp\u003e• Leaf for math (EB40)\u003c\/p\u003e\u003cp\u003e• Additional straight quotes (EB52, EB56 \u0026amp; EB57)\u003c\/p\u003e\u003cp\u003e• Low tilde (EB67)\u003c\/p\u003e\u003cp\u003e• Mayan tabular numbers (F2E0 – F2F3).\u003c\/p\u003e\u003cp\u003e• Small and fullwidth forms: FE55, the small colon, is for math; this character has no spacing, and is designed to be used with the hair space (200A). FE57, the small exclamation mark, is an alternative for math\/APL, as it is constructed with the apostrophe. FE60, the small ampersand, is for math, and is counterpart to 214B. FE68, the small reverse solidus, is the counterpart to 2215 (division slash). FF0F is an alternative solidus (operator) for math, counterpart to 29F5 (reverse solidus operator). FF5C is an alternative bar for math.\u003c\/p\u003e\u003cp\u003e• 1F5B3 (Old personal computer) is a tablet\u003c\/p\u003e","products":[],"url":"https:\/\/www.myfonts.com\/pt\/collections\/dihjauti-font-io-media.oembed","provider":"MyFonts","version":"1.0","type":"link"}