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Jasan™

por Storm Type Foundry
Estilos Individuais a partir de $49.00 USD
Família completa com 36 fontes: $399.00 USD
A família de fontes Jasan foi desenhada por František Štorm e publicada pela Storm Type Foundry. Jasan contém 36 estilos e opções de pacote familiar.

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Sobre a família


Jasan is the Czech expression for ash tree (Fraxinus Excelsior) which provides great wood for tools and furniture. In a landscape it’s a rather inconspicuous tree which forms beautiful alleys. Jasan typeface represents a synthesis of many famous sans-serifs: despite the concept being strictly rational, it’s not at all cold. Simple shapes & human expression will make your projects nicely colored. It brings excellent clarity for printed and web publishing, visual identity & information systems. The 36-font family contains multi-lingual support including Cyrillics, Small Caps & rich palette of OpenType Features.

Designers: František Štorm

Publicador: Storm Type Foundry

Fundidoras: Storm Type Foundry

Proprietário do design: Storm Type Foundry

Estreia na MyFonts: Nov 20, 2017

Jasan™ is a trademark of Storm Type Foundry.

Sobre Storm Type Foundry

“I bought my first computer in 1993 and realized that there were no good fonts around," František Štorm says, “so I had to make my own.” He founded the Storm Type Foundry in Prague that same year in the hopes that he would be able to restore the classical values of typography that often times don’t get translated into the digital world. “I started the business when I realized that the fonts I made for myself could be useful for others,” he says. When he began digitizing original Czech typefaces, František teamed up with Otakar Karlas, Jan Solpera and Josef Tyfa, experienced Czech designers.“We are convinced that such teamwork is a guarantee of the permanence of the artistic value of our typefaces.” He made his MyFonts debut with Regent and has released nearly 90 typefaces since, resulting in a collective library that has evolved with the technologies of the last two decades. He started out by drawing alphabets which could be used in book printing, and then proceeded to alphabets for film and photosetting. Now that he is creating typefaces for screens, he focuses on retaining the human touches that have always made his typefaces personable.

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