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Mramor Pro™

por Storm Type Foundry
Estilos Individuais a partir de $52.00 USD
Família completa com 10 fontes: $249.00 USD
A família de fontes Mramor Pro foi desenhada por František Štorm e publicada pela Storm Type Foundry. Mramor Pro contém 10 estilos e opções de pacote familiar.

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Sobre a família


The Mramor family first appeared in the Stormtype catalogue in 1994. The first sketch arose in 1988 through the narrowing of Roman capitals. It has uniform width proportions and, above all, original lower-case letters, unprecedented with Roman Capitals. The text designs are discontinued since they were replaced by the related Amor Serif family (along with its -sans version). Now, Mramor has “only” 10 designs that each include true small caps, Cyrillics and a rich variety of figures, ligatures and alternates. Mramor excels in corporate identity or bottle-label design, also whenever there is a need for a “classic” looking face.

Designers: František Štorm

Publicador: Storm Type Foundry

Fundidoras: Storm Type Foundry

Proprietário do design: Storm Type Foundry

Estreia na MyFonts: Jan 29, 2013

Mramor Pro™ is a trademark of Storm Type Foundry.

Sobre Storm Type Foundry

“I bought my first computer in 1993 and realized that there were no good fonts around," František Štorm says, “so I had to make my own.” He founded the Storm Type Foundry in Prague that same year in the hopes that he would be able to restore the classical values of typography that often times don’t get translated into the digital world. “I started the business when I realized that the fonts I made for myself could be useful for others,” he says. When he began digitizing original Czech typefaces, František teamed up with Otakar Karlas, Jan Solpera and Josef Tyfa, experienced Czech designers.“We are convinced that such teamwork is a guarantee of the permanence of the artistic value of our typefaces.” He made his MyFonts debut with Regent and has released nearly 90 typefaces since, resulting in a collective library that has evolved with the technologies of the last two decades. He started out by drawing alphabets which could be used in book printing, and then proceeded to alphabets for film and photosetting. Now that he is creating typefaces for screens, he focuses on retaining the human touches that have always made his typefaces personable.

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