Our July interviewee is the co-founder of Alias, a London design studio that made a name for itself producing cutting-edge designs for magazine publishers, music labels, fashion designers and more. To lend their designs an unmistakable personal touch, they make individualist fonts that MyFonts offers under two labels: Alias Collection and Alias. Most of the Alias typefaces were designed by the man whose offbeat headline font for the London 2012 Olympics will be on a billion TV screens as of this week. Meet Gareth Hague, not your average type designer.
He is the co-founder and owner of Dalton Maag, possibly the largest independent studio in Europe specializing in custom type design. Educated in Basel in his native Switzerland, he has worked and lived in London for two decades. His company recently developed a huge plurilingual font system for Nokia and has presented their bespoke font for the 2016 Rio Olympics. Following many requests from our customers, Dalton Maag’s superior typefaces have recently become available for retail on MyFonts. Meet Bruno Maag, at your service.
We’ve seen a few meteoric careers on MyFonts before, but the dazzling feats accomplished by the one-woman foundry called Emily Lime has left us seriously in awe. Based in Greenville, SC, this brand new font company managed to score one best-seller after another these past six months. The energetic Southern Belle in charge of the operation has made fonts in a range of styles, but capricious scripts are what she does best. Her peacefully named Bombshell Pro is at the top of our Hot New Fonts list as we speak. And while her alphabets are nonchalant and untamed, the underlying font technology is smart and nifty. Meet Emily Conners, a newcomer with a punch.
The range of his work is stunning: from the corporate-yet-friendly logo for London’s Oyster card to exuberant script lettering and powerful handwriting fonts. His best sellers are versatile sans-serifs such as Houschka and Chevin, the latter of which is ubiquitous in the UK as Royal Mail’s corporate typeface. A recent series of sweeping updates has catapulted several of his fonts back onto our Hot New Fonts list. He has a soft spot for the letter ‘g’ — hence the name of his foundry, G-Type. From book covers dripping in blood to the most realistic script face on the market — here is the Nick Cooke story, told in his own words.
The range of his work is stunning: from the corporate-yet-friendly logo for London’s Oyster card to exuberant script lettering and powerful handwriting fonts. His best sellers are versatile sans-serifs such as Houschka and Chevin, the latter of which is ubiquitous in the UK as Royal Mail’s corporate typeface. A recent series of sweeping updates has catapulted several of his fonts back onto our Hot New Fonts list. He has a soft spot for the letter ‘g’ — hence the name of his foundry, G-Type. From book covers dripping in blood to the most realistic script face on the market — here is the Nick Cooke story, told in his own words.
The range of his work is stunning: from the corporate-yet-friendly logo for London’s Oyster card to exuberant script lettering and powerful handwriting fonts. His best sellers are versatile sans-serifs such as Houschka and Chevin, the latter of which is ubiquitous in the UK as Royal Mail’s corporate typeface. A recent series of sweeping updates has catapulted several of his fonts back onto our Hot New Fonts list. He has a soft spot for the letter ‘g’ — hence the name of his foundry, G-Type. From book covers dripping in blood to the most realistic script face on the market — here is the Nick Cooke story, told in his own words.
This month’s most popular fonts exude the smell of gingerbread, candles and fresh fir twigs. Not that they’re literally Christmas fonts — we have outgrown snow-covered serifs and star-topped swashes, haven’t we? But there certainly is something festive, cozy and Decemberish about this lot. Perhaps it’s just our imagination, or lack of it. What is absolutely true, however, is that each of these fonts comes from a microfoundry somewhere in this big world — a company run by just one or two hard-working independent designers who dedicate their life to the pursuit of typographic excellence. Beautiful, isn’t it?
Belated best wishes for 2014 from the MyFonts team! Convinced, as usual, that the year ain’t over till its over, we waited longer than most other list-makers to compile our overview of the Fonts of 2013. This is a list that you, as our customers, have voted for — with your wallet. It is a font hit parade that is based on average sales (revenue, not number of copies sold), with some correction for what we sometimes call the Introduction Sales Peak, and making sure that popular genres are fairly represented. There you go: your annual barometer of trends in type. Thanks for helping us put it together.
View options
- Sort by
- ↑ Return to top
