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Pluma

Pluma

by DSType
Licenses from $39.00
Complete family of 3 fonts: $39.00
Pluma Font Family was designed by Dino dos Santos and published by DSType. Pluma contains 3 styles and family package options.

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Pluma Family

3 fonts

Best Value!

  • Pluma Primeyra Pluma Primeyra

  • Pluma Segunda Pluma Segunda

  • Pluma Terceyra Pluma Terceyra

Per style:

$13.00

Pack of 3 styles:

$39.00

About Pluma Font Family


This typeface was inspired in the amazing typographic work of Manoel de Andrade de Figueiredo that was published in 1722, named "Nova Escola para Aprender a Ler, Escrever e Contar, offerecida ‡ Augusta Magestade do Senhor Dom Jao V, Rey de Portugal". He established that this was the kind of typeface that should be considered the Portuguese Style. The three styles, Primeyra, Segunda e Terceyra, with plenty of ligatures and flourishes, provide all the typographic features for any classic or contemporary design.

Designers: Dino dos Santos

Publisher: DSType

Foundry: DSType

Design Owner: DSType

MyFonts debut: Feb 10, 2005

Pluma

About DSType

“I began designing typefaces in the early ’90s because there weren’t many typefaces available to us in those days,” Dino dos Santos, founder of DSType, said in his Creative Characters interview. “I started designing fonts that matched the new typographic experience. To me, graphic design was never about taking a picture and then just choosing one of the available typefaces” Based in Porto, Portugal, Dino got his start designing typefaces for magazines and large corporations. Frustrated that the only fonts available for use were system fonts and dry transfer sheets, he began selling his typefaces on MyFonts. Since then, the self-taught designer has created a library full of striking experiments, charming display type, and most notably, an amazing collection of well-wrought, extensive text families. His collection also boasts a handful of bestsellers such as Velino Text, Prelo Slab and Prumo Slab. “There is not much of a type design history in Portugal,” he noted in his interview. He is, however, interested in what has been done in his country by older generations of type designers and calligraphers. “I want to understand what happened, how things worked back then, and expose the world to some lesser-known work. History is often seen as something that passed away, and that’s it. But for me history is one of the most relevant aspects of type design. I believe we are made of history, but also that we should take a step forward by connecting it to the present and the future and we can do that through technology.”The Premium foundry page can be viewed Here.

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