There was this “blade” font. It had no consistency of stroke, terminus, or even scale. The client wanted it, loved it, but wanted it “fixed” so that it would read.
Rather than spend hours trying to fix this other font, Klash was created. Klash is loud and unruly. Calligraphic strokes and bladed serifs give it some interesting negative spaces.
Break it up, rotate letters, re-assemble and it Klashes.