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LiebeLotte Swell

LiebeLotte Swell

by LiebeFonts
Individual Styles from $29.90
LiebeLotte Swell Font Family was designed by published by LiebeFonts. LiebeLotte Swell contains 1 styles.

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About LiebeLotte Swell Font Family


Have you heard? It’s in the stars: next July we collide with Mars! But until then, there are plenty of good reasons to treat yourself to this swell typeface. LiebeLotte Swell is a great investment for letter lovers who design beautiful things for their friends and family and also for designers who love their clients: Your next birthday invitation? Check. That photo album you’re making for your mom? Check. The business cards you’re designing for your friend who runs a deli? Check. There are so many nice things that want to be designed, and LiebeLotte Swell wants to be your assistant in the old-fashioned way: polite and friendly. Just like her monolinear siblings in the LiebeLotte family, charming LiebeLotte Swell knows how to impress with her perfectly drawn curves and her perfectly connected loopy letterforms. Of course LiebeLotte Swell comes with a state-of-the-art character set. She also sports a variety of ligatures and alternative forms, available through OpenType features. (Please make sure your software supports ligatures for the letter connections and OpenType if you wish to use the advanced features.) Advanced designers, check out the complete LiebeLotte family with six weights of monolinear loopiness. You may also want to take a look at our best-sellers LiebeErika and LiebeKlara, they get along great with LiebeLotte Swell.

Designers:

Publisher: LiebeFonts

Foundry: LiebeFonts

Design Owner: LiebeFonts

MyFonts debut: May 6, 2015

LiebeLotte Swell

About LiebeFonts

“Liebe” means “love” in German. “The name LiebeFonts is meaningful to me in more ways than one”, Ulrike Rausch said in her 2013 Creative Characters interview. “On one hand, my fonts obviously look ‘sweet’ — in other words, friendly and lovable. And of course the name also refers to my own love of fonts.” Ulrike’s skills are equal parts handicraft and digital savvy, and her fonts are as technically sophisticated as they are charming. “It is very important to me that my fonts serve a wide variety of languages so that they are suitable for professional typesetting,” she says. “I also invest a lot of time into sensibly grouped OpenType features like contextual and stylistic alternates as well as a wide range of ligatures and swashed letters.”

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