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Ondise

Ondise™

by Magpie Paper Works
Individual Styles from $32.00
Ondise Font Family was designed by Jessica McCarty and published by Magpie Paper Works. Ondise contains 1 styles.

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About Ondise Font Family


Ondise is a curvy and warm hand-lettered calligraphy script with a natural, dancing baseline. This Opentype font was created with a pointed pen & ink, and includes six different ampersands as well as a swash feature that automatically substitutes beginning & end of word letters. To enable alternate ampersands, simply turn on the contextual alternates feature and type &1, &2, &3, etc. Opentype coding automatically substitutes the new ‘and’.

Designers: Jessica McCarty

Publisher: Magpie Paper Works

Foundry: Magpie Paper Works

Design Owner: Magpie Paper Works

MyFonts debut: Sep 26, 2013

Ondise™ is a trademark of Magpie Paper Works LLC.

About Magpie Paper Works

Nestled in rural North America, you’ll find the farmhouse that’s home to Magpie Paper Works. If the foundry’s owner and sole designer, Jessica McCarty, isn’t tucked inside designing typefaces, she’s more than likely out chicken wrangling and apple picking. Jessica left behind agency life in 2010, opting instead to create her own studio. Her first font, Saissant, a rough, kinetic calligraphy script, was a non-traditional typeface that was almost instantly very popular. “I created Saissant,” she says, “because I was working on a client’s project and needed a font that looked truly handmade and wild, only to discover that there weren’t really any options available at the time. I figured that if I couldn’t find what I was looking for, I should make it instead. The rest was history!” The self-taught designer approaches each project with a strong background in calligraphy and typographic illustration; a toolset that brings a hand-lettered feel to each of her typefaces. This is especially true for Jessica’s best selling font, Ondise: a calligraphy font with robust Opentype features and a warm, fresh and charming vibe. Jess says that she’s seen her fonts used in everything from logos and wedding invitations to West Elm catalogs and even in the movie adaptation of The Great Gatsby. “It’s wonderful to have full creative freedom,” she says, “and I adore collaborating directly with clients to help them get the most out of their font purchases.”

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