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Ideal Gothic

 from Storm

Ideal Gothic is a Storm font family with 6 styles priced from $29.00.

Click a Purchase Options button below to view pricing and availability information for a particular group of fonts, or see purchase options for the entire family.

Ideal Gothic


Ideal GothicPurchase Options
  Ideal Gothic Basic Latin/English lettersWest European diacriticsEuroLigaturesCentral EuropeBalticTurkishRomanian
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  Ideal Gothic Italic Basic Latin/English lettersWest European diacriticsEuroLigaturesCentral EuropeBalticTurkishRomanian
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  Ideal Gothic Bold Basic Latin/English lettersWest European diacriticsEuroLigaturesCentral EuropeBalticTurkishRomanian
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  Ideal Gothic Bold Italic Basic Latin/English lettersWest European diacriticsEuroLigaturesCentral EuropeBalticTurkishRomanian
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$34.00

Ideal Gothic ObliquePurchase Options
  Ideal Gothic Oblique Basic Latin/English lettersWest European diacriticsEuroLigaturesCentral EuropeBalticTurkishRomanian
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  Ideal Gothic Oblique Bold Basic Latin/English lettersWest European diacriticsEuroLigaturesCentral EuropeBalticTurkishRomanian
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$29.00

Design Credits

First seen on MyFonts: April 10th, 2001
Designed by: František Štorm
Design owned by: Storm
MyFonts Keywords: czech, spur serif, tiny serif


Ideal Gothic

At the turn of the 20th century monolinear alphabets were often despised for their dullness. Typographers, therefore, took great pains to breathe some kind of individuality into the monotonous sans-serif scheme. They started with subtle differentiation in the thickness of vertical and horizontal strokes and finished by improving details.

By this they arrived at a more decorative appearance of the type face which thus became more regardful of the eye of the bourgeoisie. Ideal Gothic is no exception. It is characterized by a correct stiffness which will improve the morals of every idea printed by this type face. The awkward curves of the italics are a little suggestive of openwork iron products or the bent iron of the decorative little railings in a Prague park. The so-called “hidden” and, furthermore, curved serifs complete the inconspicuous “charm” of this type face. All its above-mentioned features, however, suddenly turn into advantages when we need to design a magazine, a brochure or an annual report, in short whenever illustrations dominate.

It is not by accident that the basic design of “Ideal Gothic” has such a light tonal value - it competes neither with fine pencil sketches, nor with sentimental landscapes. It is very suitable for business cards and corporate identity graphics.


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