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Abos und Preise

Absolut Pro

von Ingo
Einzelschnitte ab $42.00 USD
Komplette Familie mit 167 Fonts: $360.00 USD
Absolut Pro Font Poster 1 Absolut Pro Font Poster 2 Absolut Pro Font Poster 3 Absolut Pro Font Poster 4 Absolut Pro Font Poster 5 Absolut Pro Font Poster 6 Absolut Pro Font Poster 7 Absolut Pro Font Poster 8 Absolut Pro Font Poster 9 Absolut Pro Font Poster 10
Die Schriftfamilie Absolut Pro wurde von Ingo Zimmermann entworfen und von Ingo veröffentlicht. Absolut Pro enthält 167 Stile und Familienpaketoptionen.

Mehr über diese Familie

Absolut Pro Complete Family

 167 Fonts

Bestes Angebot!

pro Font:

$2.15 USD

Paket mit 167 Fonts:

$360.00 USD

Kaufoptionen
Siehe 157 mehr Weniger sehen

Normal (upright & italics) only

 45 Fonts

pro Font:

$4.44 USD

Paket mit 45 Fonts:

$200.00 USD

Kaufoptionen
Siehe 35 mehr Weniger sehen

Absolut Expanded (upright & italics) only

 45 Fonts

pro Font:

$2.22 USD

Paket mit 45 Fonts:

$100.00 USD

Kaufoptionen
Siehe 35 mehr Weniger sehen

Absolut Condensed (upright & italics) only

 40 Fonts

pro Font:

$2.25 USD

Paket mit 40 Fonts:

$90.00 USD

Kaufoptionen
Siehe 30 mehr Weniger sehen

Absolut UltraCondensed (upright & italics) only

 35 Fonts

pro Font:

$2.28 USD

Paket mit 35 Fonts:

$80.00 USD

Kaufoptionen
Siehe 25 mehr Weniger sehen
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Über die Familie

The Absolut Pro is the modern typeface for the 3rd millenium. Reduced to the essentials — pure typeface: modern, uncompromising, prosaic, aesthetical.

A superfamily with countless variants available as a variable font. (The variable font files are included with the complete font package only.)


The character styles have removed themselves as far as possible from the original written form – and it's high time the type in our font keeps up with the changing cultural situations… »Absolut« is a modern sans serif without compromise.

For example, n in »Absolut« is formed with just one stroke whereas in typefaces developed from writing, two strokes are united to form one character. »Absolut« does without such "complications." The break with tradition is stretched even further: The character styles have been changed, especially noticeable on t, but r and f require a double take, too. We are already accustomed to these styles in advertising. But here's what's new: a text type which dares to take this pioneer step into the modern age.

The forms of »Absolut« are unconditionally modern. The characters have been reduced down to the basic idea of the letters. The historical burden surrounding type has been discarded. Gentle bowls on the stroke ends and on some inclinations make the sentence structure more attractive so that »Absolut« is also suitable for text type.


Additional functions can be activated and deactivated as OpenType-Features:

  • Stylistic Alternates: replaces the letters a, g, u in each case with the alternative variant.
  • Ligatures: replaces the letter pairs ch, ck, ff, fi, fl, ff, fj, ft, th, tt, tz, ffi, ffl with the respective letter combination.
  • Tabular Numbers: replaces the normal numbers by means of tabular numbers with identical sign width.
  • Fractions: replaces the glyph combinations 1/2, 1/3, 1/4 etc by the according fractions.
  • Historical Forms: replaces s with ”long s“ and SS i.e., SZ with capital-ß.
  • Slashed Zero: replaces the numeral 0 by the slashed variant
  • Stylistic Set 1: replaces the »round« form of a by the »two storied« alternate form.
  • Stylistic Set 2: replaces the »round« form of g by the »two storied« alternate form.
  • Stylistic Set 3: replaces the »round« form of u by the »broken« alternate form.
  • Stylistic Set 4: replaces the standard numerals [1—20] by circled numbers.
  • Stylistic Set 5: replaces the standard numerals [1—20] by negative circled numbers.


Designer: Ingo Zimmermann

Herausgeber: Ingo

Foundry: Ingo

Eigentümer des Designs: Ingo

MyFonts Debüt: Apr 16, 2020

Absolut Pro

Über Ingo

Founded in 1994, ingoFonts provides the fonts designed and crafted by me, Ingo Zimmermann. I am a type design professional located in Augsburg, Germany, and working in corporate and editorial design. My very first fonts were stencils which I cut out of paperboard and used in graffiti. During my studies I began to publish my fonts under the label ingoFonts, and of all it started with a blackletter: ”Faber Fraktur.“ By now my designs include fonts of all styles, from classical to modern, script fonts, revivals of historic typefaces, Romans, sans serifs, decorative fonts, including fonts like ”Biró Script“, ”Absolut“ or ”Maier's Nr.8“, which seem to be growing quite popular since they've been published.

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