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Banas

von Marvadesign
Einzelschnitte ab $20.00 USD
Die Schriftfamilie Banas wurde von Febrie Setiawan entworfen und von Marvadesign veröffentlicht. Banas enthält 1 Stile.

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Über die Familie


Introducing Banas is a metal font derived from the word "Banaspati," a demon in Indonesian mythology. This font symbolizes the strokes of fire, reminiscent of Banaspati, often depicted as a fearsome fiery entity.

Banas features a Gothic Decoration style, imparting a sinister and powerful appearance. Each letter in this font is designed with intricate details that resemble blazing flames, creating a dramatic and energetic look. Additionally, the font includes several alternatives for its uppercase letters, offering flexibility and variety in its application.

With its combination of gothic and decorative elements, Banas is the perfect choice for designs that require a touch of horror, mystery, and intensity. It is ideal for metal band logos, concert posters, album covers, tshirts and various other creative projects that aim to highlight a dark and fiery aesthetic.

Designer: Febrie Setiawan

Herausgeber: Marvadesign

Foundry: Marvadesign

Eigentümer des Designs: Marvadesign

MyFonts Debüt: Jul 23, 2024

Banas

Über Marvadesign

Enter the world of expertly created letterforms with Marvadesign. Their dedication to innovation and attention to detail is evident in every design. The core of Our portfolio is a collection of bespoke typefaces that go beyond the ordinary. Each glyph is a testament to his meticulous design process, where proportions, curves and spacing were carefully researched to achieve a harmonious visual balance. The flexibility of their typeface design repertoire is a defining feature. From elegant serifs that exude classic sophistication to modern sans-serifs that embody a contemporary aesthetic, and custom scripts that add a touch of personality, each typeface is an intentional exploration of form and function. As a typographic designer, we navigate the intersection of tradition and innovation, honoring typographic heritage while pushing the boundaries of what is possible. The result is a portfolio that reflects a deep understanding of the craft and a passion for shaping the future of visual communications.

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