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BookCover

von Tipo Pèpel
Einzelschnitte ab $32.00 USD
Komplette Familie mit 2 Fonts: $55.00 USD
Die Schriftfamilie BookCover wurde von Josep Patau Bellart entworfen und von Tipo Pèpel veröffentlicht. BookCover enthält 2 Stile und Familienpaketoptionen.

Mehr über diese Familie

BookCover OTF Family

2 Fonts

Bestes Angebot!

pro Font:

$27.50 USD

Paket mit 2 Fonts:

$55.00 USD

Über die Familie


BookCover is a typeface designed with extreme spot to hit when used in headlines. The contrast of the outer curved shapes with internal rectangular counterforms that bring freshness to the results and a contemporary look. Contains an extensive character map for use in most Latin-based languages. BookCover will help you create eye-catching headlines, posters or book covers to name a few.

Designer: Josep Patau Bellart

Herausgeber: Tipo Pèpel

Foundry: Tipo Pèpel

Eigentümer des Designs: Tipo Pèpel

MyFonts Debüt: May 6, 2014

BookCover

Über Tipo Pèpel

Located in a small town, Les Borges Blanques, Spain, Tipo Pèpel is a digital type foundry run by Josep Patau. The self-taught designer began producing experimental typefaces in 1996 and started selling them through MyFonts in 2011. His debut font, Anduaga, was a revival from Joseph de Anduaga y Garimberti, the XVII´s famous spanish calligrapher. Since then, his library had expanded to include nearly two dozen font families, each of which is unique and reflects the small country town he comes from with a familiar rural feel. Some of Josep’s best selling typefaces, including Pobla, Bridone, and Cinta, really demonstrate the impact his home has on his designs, while Boxed, a semi-modular geometric font, is a step outside of this theme. “All of my projects excite me and I put my best into each of them, doing everything with my own two hands,” Josep says. “I treat them all like my children.” With a focus on the details and creating high quality drawings, each of his fonts offers an extended character map that is fully capable with OpenType features. He also diligently insures that each of his typefaces is legible in all sizes. “I think that this is one of my goals because I always begin my designs by thinking about the final use if the font,” he says. “I worry about this a lot, so I do thousands of tests before launching the final font to ensure high quality standards and full satisfaction for final users.”

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