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Classique

Classique

von Paulo Goode
Einzelschnitte ab $30.00 USD
Komplette Familie mit 30 Fonts: $300.00 USD
Classique Font Familie wurde entworfen von Paulo Goode und herausgegeben von Paulo Goode. Classique enthält 30 Stile und Optionen für Familienpakete.

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Über die Schriftfamilie Classique


Classique is a distinguished Scotch-style serif that was inspired by a single-page type sample from c.1785 entitled “Eliz. Caslon’s New Pica”. This high-contrast serif face captivated me and I have wanted to reproduce its beauty for some time. So, here it is! Classique Regular and Italic are reasonably accurate interpretations of that sample and I have taken the liberty of expanding upon them to create a family of 30 fonts.

Classique has been drawn with a loose style to retain the warmth and personality of its 18th century origins. Serifs are soft, horizontals and verticals are pinched and often irregular, joints and inktraps arch with imprecision... each glyph has a charm of its own. Undoubtedly, Classique is one of the most distinctive Scotch Romans you will find.

There are three optical sizes and five weights in both roman and italic styles. Text weights are perfect for body copy and small text sizes, while Display weights should be used at very large sizes–perfect for titles, headlines and branding purposes. This gives Classique great versatility and I am sure you will love how it performs in your next typographic project.

Activate stylistic sets and you will get access to over one hundred sumptuous alternates that will add flourishes of finesse to your titles and headlines. Classique has a character set that covers all Latin European languages.

See full details and hi-res examples at paulogoode.com/classique

KEY FEATURES

• Five Weights

• Roman & Italic

• Three Optical Sizes

• Small Caps

• 118 Alternates

• 750 Glyphs

Designer: Paulo Goode

Herausgeber: Paulo Goode

Foundry: Paulo Goode

Eigentümer des Designs: Paulo Goode

MyFonts Debüt: Feb 14, 2024

Classique

Über Paulo Goode

As a child I was fascinated by the multitude of letterforms that surround us, I would spend hours drawing words (and cars) in my sketchbooks. I don’t know what happened to those sketches, but I certainly never made it as an automobile designer! Maybe there’s a chance my fonts will prove more successful? As I grew up, I developed my artistic skills and became a technical illustrator and moved into graphic design with the advent of the Macintosh computer. At the age of 45 I rekindled my interest in typeface design and am thoroughly enjoying the process of font creation and producing some interesting typefaces of distinction. I'm still fascinated by the multitude of letterforms that surround us — and am very happy to be contributing my own.The Premium foundry page can be viewed Here.

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