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Abos und Preise

Coil

von Brownfox
Einzelschnitte ab $54.00 USD
Komplette Familie mit 8 Fonts: $290.00 USD
Coil Font Poster 1 Coil Font Poster 2 Coil Font Poster 3 Coil Font Poster 4 Coil Font Poster 5 Coil Font Poster 6 Coil Font Poster 7 Coil Font Poster 8
Die Schriftfamilie Coil wurde von Gayaneh Bagdasaryan, Vyacheslav Kirilenko entworfen und von Brownfox veröffentlicht. Coil enthält 8 Stile und Familienpaketoptionen.

Mehr über diese Familie

Coil Complete Family

 8 Fonts

Bestes Angebot!

pro Font:

$36.25 USD

Paket mit 8 Fonts:

$290.00 USD

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Über die Familie

Coil feels comfortable like a well-worn pair of shoes. It could easily pass for an assertive industrial European sans serif of the early 1960s with its slight reverse contrast, monotonous proportions, and squared-off curves, if not for its less predictable side. What appears initially as ellipses upon closer inspection turns out to be irregular shapes, closer to an inverted egg than an oval. The s looks topsy-turvy with its higher curve that is larger than the lower. Some terminal strokes overhang the bowl (as in the a), others open flat (as in the Q, the f, the j, and the t). The resulting effect shakes up this seemingly “retro” face just to make it new. Our midcentury recollections are slightly distorted and reinterpreted by this ironic typeface making it fresh while deceptively cozy and familiar.

Coil’s high x-height and even texture make it readable even in small sizes despite its tight apertures. Available in four weights with their italics, with two sets of figures, fractions, and alternates for Extended Latin and Cyrillic scripts.

Designed by Vyacheslav Kirilenko and Gayaneh Bagdasaryan, 2020-21.

Designer: Gayaneh Bagdasaryan, Vyacheslav Kirilenko

Herausgeber: Brownfox

Foundry: Brownfox

Eigentümer des Designs: Brownfox

MyFonts Debüt: Jul 20, 2022

Coil

Über Brownfox

Independent type foundry Brownfox offers a fresh perspective on Latin and Cyrillic fonts. We have a solid track record with text fonts optimised for on-screen reading, as well as with print fonts. Our work is firmly rooted in the typographic tradition, yet is unmistakably current. We aspire to create fonts of the highest degree of craftsmanship and up to the latest technical standards. The outcome that we pursue in our work – to augment familiar with something new. The most important thing for us is to find a new, bright, compelling and unique character of typefaces. One of the challenges here is to stay within the group of typefaces, called workhorses, fonts that cover a broad range of application areas. Principals: Gayaneh Bagdasaryan and Vyacheslav Kirilenko.

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