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Glyxonite

von Typodermic
Einzelschnitte ab $69.95 USD
Die Schriftfamilie Glyxonite wurde von Ray Larabie entworfen und von Typodermic veröffentlicht. Glyxonite enthält 1 Stile. Mehr über diese Familie

Über die Familie


Glyxonite is a wormhole between worlds. Born from the fusion of late ’70s arcade futurism and the lush, dreamlike curves of prog-rock album lettering, it channels the electric energy of Tadashi Yamashita’s Galaxian logo through the cosmic artistry of Roger Dean. The result is a head-turning display face that feels both vintage and visionary.

Its sculpted letterforms ripple with movement, making headlines feel alive—perfect for branding that needs to sing, soar, or even dive-bomb like an 8-bit starfighter. Glyxonite thrives where spectacle is the goal: sci-fi book jackets, psychedelic music festival posters, retro-gaming expos, album covers that demand a gatefold, or merch drops where the typography is the main attraction.

With support for a wide range of Latin-based languages, Glyxonite speaks fluently to audiences from São Paulo to Stockholm. Whether you’re reviving the glory days of arcade cabinets, scoring the next synthwave anthem, or creating a logo that looks like it’s been beamed in from another dimension, Glyxonite gives your work the drama, mystique, and larger-than-life presence it deserves.

Plug it in, crank it up, and let your designs go interstellar.

Designer: Ray Larabie

Foundry: Typodermic

MyFonts Debüt: Apr 8, 2024

Glyxonite

Über Typodermic

Welcome to Typodermic Fonts, a spirited type foundry rooted in Nagoya, Japan, started by the Canadian typeface designer, Raymond Larabie in 2001. Our library brims with 500+ diverse typefaces to fuel creativity in graphic design, advertising, web, and app development. As digital type pioneers, we adopted web fonts and app licensing early, consistently pushing the design envelope. With Canadian heart and Japanese precision, we're your global partners in extraordinary typography. Explore Typodermic Fonts—where creativity meets character.

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