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Good Eatin Pro AOE™

von Astigmatic
Einzelschnitte ab $24.95 USD
Die Schriftfamilie Good Eatin Pro AOE wurde von Brian J. Bonislawsky entworfen und von Astigmatic veröffentlicht. Good Eatin Pro AOE enthält 1 Stile. Mehr über diese Familie

Über die Familie


Good Eatin Pro AOE expands the playful mid-century cartoon lettering style of Good Eatin into a more versatile professional display typeface. Inspired by the title lettering from the 1942 Warner Bros. cartoon Dog Tired, the design captures the same cheerful bounce and rounded personality that defined classic animation titling of the era. While the original lettering appeared only as an all-caps style, Good Eatin was developed with a full lowercase alphabet to increase readability and flexibility in modern design. The Pro version extends the typeface even further with Small Caps and an expanded typographic feature set including Unlimited Fractions, Superiors, Inferiors, Ordinals, and broader language support. With its bold yet approachable character, Good Eatin Pro works beautifully for comic-inspired graphics, children’s titles, playful branding, retro advertising, packaging design, and other projects where expressive display typography with a touch of vintage animation charm is desired.

Designer: Brian J. Bonislawsky

Foundry: Astigmatic

MyFonts Debüt: Oct 21, 2014

Good Eatin Pro AOE™ is a trademark of Astigmatic.

Über Astigmatic

In 1873, the strange and fantastic story began. Nearly two centuries later, Brian J. Bonislawsky was born, and carrying on a mix of the the footsteps his ancestors before him took, he picked up the the traditions and founded the Astigmatic One Eye Foundry, which later expanded to become the Astigmatic One Eye Typographic Institute. (For more of the background story, see the Historical Perspective link below.) Since its founding Astigmatic has worked with dozens of designers, helping them forge their own foundries as well as helping to increase the quality of type created by Astigmatic and these other foundries. Astigmatic strives to continually increase its range of typographic scope; taking on expeditions to revive old typestyles, unearth long lost typefaces, forge new styles yet unseen, and begin to develop more comprehensive language typestyles of the WGL4 set size which includes Greek and Cyrillic extensions. If you are looking for a wide variety of typographic influence and style, the Astigmatic One Eye Institute is your source for type.

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