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Heller Sans JNL

von Jeff Levine
Einzelschnitte ab $29.00 USD
Komplette Familie mit 2 Fonts: $55.10 USD
Die Schriftfamilie Heller Sans JNL wurde von Jeff Levine entworfen und von Jeff Levine veröffentlicht. Heller Sans JNL enthält 2 Stile und Familienpaketoptionen.

Mehr über diese Familie

Heller Sans JNL Complete Family

2 Fonts

Bestes Angebot!

pro Font:

$27.55 USD

Paket mit 2 Fonts:

$55.10 USD

Über die Familie


Heller Sans JNL is based on the main letterforms of an experimental alphabet designed by Steven Heller; noted author of over 170 books on design and visual culture. Some modifications were made in turning his design into a digital font. In his own words, here is the background to this typeface: “I recently recovered this from the junk heap. It is a yellowing photostat of my first and only typeface design (1969-70). Total folly! At the time I was smitten by Art Moderne lettering. I called it “Klaus Boobala Bold” because I liked the K and B. I’ve lost the letters S through Z, which were made. The letters were drawn with compass, Techno pen (that frequently clogged). as well as a triangle and T-square. The inline and outline made no real logical sense. I based the design, in part, on Kabel, Avant Garde and it was a product of whatever I could accomplish with those tools. The caps-only alphabet was photographed and produced as a film negative that was cut in foot-long strips and spliced to fit on a Typositor reel. Sadly, the negatives made for the font were too brittle and the splice snapped apart in the Typositor. I worked on it for well over a month and used the face only once. I realized with this attempt, like so many other times I attempted different challenges, that type design — indeed mechanical drawing — was not my strong suit.” Heller Sans JNL is available in both regular and oblique versions.

Designer: Jeff Levine

Herausgeber: Jeff Levine

Foundry: Jeff Levine

Eigentümer des Designs: Jeff Levine

MyFonts Debüt: Dec 18, 2019

Heller Sans JNL

Über Jeff Levine

Jeff Levine has been in love with lettering since the third grade, when a schoolmate brought a lettering stencil into class. He has worked in both the graphics and music industries, and began his work with digital type via his own site, which hosted over one hundred free dingbat fonts until its retirement in 2009. Although these fonts were experimental at best, Jeff received "thank you" letters from points all over the world for making his designs available. Encouraged by these responses, Jeff decided to set his sights on creating interesting and commercially viable type fonts.

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