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Homenko

von Apostrof
Einzelschnitte ab $35.00 USD
Komplette Familie mit 4 Fonts: $120.00 USD
Die Schriftfamilie Homenko wurde von Viktor Kharyk, Henadij Zarechnjuk, Konstantin Golovchenko entworfen und von Apostrof veröffentlicht. Homenko enthält 4 Stile und Familienpaketoptionen. Mehr über diese Familie

Homenko Complete Family

4 Fonts

Bestes Angebot!

Über die Familie


Homenko was the only Ukrainian typeface for metal type casting developed in the last century. It has already become a 'classic'. Vasyl Homenko worked on it from 1964 to 1967. The typeface successfully combines the qualities of lineal humanist typefaces with the Ukrainian tradition of asymmetrical slab serif. The works on its digitization and further development has been in progress since 2000. The present version contains Latin Extended characters, Cyrillic with stressed alternates and several ornaments based on Vasyl Homenko's works. It works perfectly for books for children and is ideal for publications related to culture, history, literature and traditional art of Ukraine and other nations of Eastern Europe.

Designer: Viktor Kharyk, Henadij Zarechnjuk, Konstantin Golovchenko

Foundry: Apostrof

MyFonts Debüt: Aug 14, 2020

Homenko

Über Apostrof

Ukrainian typefoundry 'Apostrof' was founded in 2012 by Viktor Kharyk and Konstantin Golovchenko for implementation of the ideas, researches and development in the area of font design. Konstantin (aka Salmoose) is engaged in researches of history of typefaces and printing. He examines the question of revival of a half-forgotten typefaces of old foundries. In addition he deals with OpenType-programming. Viktor specializes on development of multilingual fonts and opportunities of coexistence of different writing systems within one graphic system. Thus main tasks of our foundry are: restoring and developing interesting half-forgotten typefaces, adapting the above mentioned for different writing systems, designing new original fonts of different styles with a wide range of code pages supported, as well as decorative and experimental fonts, publishing research materials in history and theory of typefaces and typography.

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