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Abos und Preise

Lumetta

von Melvastype
Einzelschnitte ab $25.00 USD
Komplette Familie mit 5 Fonts: $99.00 USD
Lumetta Font Poster 1 Lumetta Font Poster 2 Lumetta Font Poster 3 Lumetta Font Poster 4 Lumetta Font Poster 5 Lumetta Font Poster 6 Lumetta Font Poster 7 Lumetta Font Poster 8
Die Schriftfamilie Lumetta wurde von Mika Melvas entworfen und von Melvastype veröffentlicht. Lumetta enthält 5 Stile und Familienpaketoptionen. Mehr über diese Familie

Lumetta Complete Family

 5 Fonts

Bestes Angebot!

pro Font:

$19.80 USD

Paket mit 5 Fonts:

$99.00 USD

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Über die Familie

Say hello to Lumetta – a cheerful serif full of bounce, charm, and warmth. With its smooth curves, expressive swashes, and a generous collection of alternates, Lumetta was made to shine on packaging, storybooks, and anything that needs a spark of friendliness.

From smart ligatures to playful stylistic sets, Lumetta adapts with personality. Need something elegant? Try the classic forms. Want flair? Flip on the swashes or quirky stylistic sets for instant fun. It also comes packed with typographic features like oldstyle figures, fractions, and superscripts – all wrapped in a lovingly drawn design.

Contextual Alternates (calt)

Letters subtly shift shape to create smoother, more natural-looking words. Lumetta includes two sets of upper- and lowercase letters, which automatically mix to add rhythm, bounce, and a playful flow to your text – perfect for cheerful titles and lively packaging.

OpenType features

Ligatures (liga, dlig)

Natural letter pairs like ff, fl, and custom combos flow effortlessly.

Contextual Alternates (calt)

Letters subtly shift shape to create smoother, more natural-looking words.

Stylistic Sets (ss01–ss09)

Want more flair? Switch styles with a click – loopier tails, bouncier forms, or subtle twists.

Swashes & Alternates (ss04–ss09)

Add expressive swashes to capital letters or bring drama to end letters.

Lining and Oldstyle figures

Toggle between lining (lnum) and oldstyle (onum) numerals, tabular and proportional, or create fractions (frac) on the fly.

Super & Subscripts (sups, subs)

Perfect for ingredients, footnotes, or science-y moments.

Designer: Mika Melvas

Foundry: Melvastype

MyFonts Debüt: Jun 20, 2025

Lumetta

Über Melvastype

“I have always been interested in various forms of hand lettering, graffiti, sign painting and calligraphy,” Mika Melvas said in his Creative Characters interview. “As a kid I was very interested in graffiti. I drew and sketched it in my notebooks, and in art class my favorite tasks were always the ones that included some typographical elements. At some point I found calligraphy. There was something in calligraphy that fascinated me a lot. It is hard and demanding and needs regular training. And it is so pure; you can’t hide your mistakes or take short cuts. It is just forms and whitespace. I’m not a master calligrapher by any means but I like to do it and it makes me a better type designer and lettering artist.” For Mika, type design was a hobby long before it became the primary way he made his living. He began his career as an art director and graphic designer in advertising agencies and experimented with type on the side. Following his passion, Mika worked hard to guide his career towards becoming a full-time type designer and lettering artist. “I worked on my calligraphy and lettering a lot,” he said, “ and practiced vectorizing them. After a long period of hard training I was able to resign from my art director’s post and start my own foundry. I think it’s good to have knowledge and experience of graphic design — it has worked for me at least. It means that you have an understanding how your clients would use your fonts and what kind of expectations they have.” Since he first began selling his designs on MyFonts in 2011, the self-taught type designer has released over a dozen families. His library spans a typographic range from an extra bold slab serif, Ringa, to his more signature style of playful brush script fonts like Paintlay and Ahkio. “I think hand-sketching is a very important thing – at least for me — especially when you are doing a script font. You can’t beat the flow and rhythm one achieves with just pen and paper. I think you can focus better on the bigger picture; composition, flow and style, when doing things with just pen and paper. I easily rush to fine tune the details too early when using just a computer. Type design is a combination of creativity and engineering and that is very interesting to me. You get the best of both worlds.” For more on Mika, check out his website and follow him on Twitter and Instagram.The Premium foundry page can be viewed Here.

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